On November 22, 2024, Nicki Minaj celebrated the 10th anniversary of her critically acclaimed third studio album, ‘The Pink Print’, by releasing a special edition packed with four new tracks featuring a lineup of global stars, including Nigerian sensation, Davido.

First released in December 2014, The Pink Print became a cultural milestone, delivering smash hits like “Anaconda” and “Only” featuring Lil Wayne and Chris Brown.

A decade later, Nicki Minaj reinvents the magic with fresh collaborations, one of which sees Davido appear on “If It’s Okay,” a track that also includes the talents of French DJ and producer David Guetta.

READ MORE: Nicki Minaj Remains the GOAT, Tacha Praises Amid Singer’s Grammy Mishap

This collaboration marks the second time Davido and Nicki Minaj have joined forces, following their hit “Holy Ground” from Davido’s 2020 album A Better Time.

Nicki Minaj expressed her appreciation for Davido’s contribution to the new track on her X account, a post that immediately sparked excitement among her Nigerian fans.

Known for her occasional use of Nigerian Pidgin English online, Minaj continues to resonate deeply with her audience in the region.

The 10th-anniversary edition also features “Turn Yo Cap Back” with Swae Lee, “Arctic Tundra” with the late Juice WRLD, and “Remember Me,” featuring Parker Ighile. These additions showcase Minaj’s ability to evolve while remaining true to her legacy.

Since the release of The Pink Print, Nicki Minaj has solidified her status as a global icon and one of the most influential female rappers in history. Her new tracks not only honor the original album’s success but also underline her enduring relevance in the music industry.

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Renowned Nigerian artist Wizkid recently released his highly anticipated album, Morayo, but the project has ignited a storm of opinions online.

While some fans hailed it as another masterpiece, critics like popular Twitter commentator Daniel Regha have called the album a disappointment, labeling it “quantity over quality.”

In a scathing review posted hours after the album’s release, Daniel Regha rated Morayo 3.5/10, citing repetitive tracks, uninspiring lyrics, and a lack of emotional depth. Regha argued that the album appears designed for TikTok virality rather than offering meaningful musical content.

Key Criticisms from Daniel Regha

Regha pointed out that tracks like “Bend” felt shallow and overly simplistic, while collaborations such as “Bad Girl” featuring Asake failed to live up to expectations. According to him, the standout tracks “Pray” and “Kese (Dance)” provide a glimpse of originality, but they aren’t enough to save the album. He further criticized Wizkid for not dedicating any song to his late mother, an omission many fans found surprising.

READ MORE: Wizkid Drops Sixth Studio Album ‘Morayo’

Regha concluded by suggesting the album would have been better off as a four-to-five-song EP, stating, “Wizkid needs new musical ideas.”

Fans and Critics React

Regha’s critique sparked divided opinions on social media, with some fans agreeing and others fiercely defending the album. A Twitter user, @AdegboyeBodunde, echoed Regha’s sentiment, comparing Morayo unfavorably to projects by rising artists like Fola Baloranking and Minz. “Honestly, the album is so below average. Even new artists are coming out with bangers back to back,” he tweeted.

However, others were quick to dismiss Regha’s comments, questioning his authority to critique music. @africanvogue lashed out, saying, “Why give this wicked boy a voice? He knows he will get a response from Wizkid’s fans. @DanielRegha has never done anything of worth but pulls down the hard labor of others for his profit. That is criminal!”

Another user, @akinmusi, questioned Regha’s qualifications, writing, “What certifications does he hold in music? Has he authored any scholarly work, thesis, dissertation, or conducted research in the field? I’m genuinely curious.”

Is Morayo a Hit or Miss?

Despite the backlash, Morayo is expected to perform well commercially, driven by Wizkid’s loyal fanbase and widespread hype. The album experiments with new sounds and features top-notch production quality, which Regha himself acknowledged as one of its redeeming features.

However, the larger question remains: Is Wizkid delivering music for artistic growth, or is he leaning too heavily on commercial trends? The polarised reactions to Morayo suggest that Wizkid’s latest project will be a topic of debate for weeks to come.

The release of Morayo highlights the ever-present tension between artistic expression and fan expectations in the music industry.

While critics and fans continue to clash over its quality, one thing is certain: Wizkid remains one of the most talked-about artists in Africa, capable of commanding attention with every move he makes.

Award-winning Nigerian singer and activist, Yemi Alade has accused Cool FM Nigeria and Clout Africa of blacklisting her music after she failed to perform at an event organized by the platforms in December 2023.

The singer, in a series of tweets on Thursday night, alleged that her music has been removed from the stations’ playlists for nearly a year, despite her efforts to resolve the misunderstanding.

Alade explained that she was invited by Cool FM to perform at their December event but couldn’t attend.

According to her, she apologized for her absence in January 2024 but faced a cold reception from the management.

She claims this eventually led to her entire music catalogue being banned from the station’s playlists.

“Mr Serge and Mr Joseph, this life is not hard like that. WE SEE YOU… I SEE YOU @cloutafrica @CoolFMNigeria. This world is a small village. My God will fight for me… Una dey form gatekeepers in 2024,” she tweeted, referring to Cool FM and Clout Africa executives Serge Noujaim and Joseph Adamu.

Alade expressed shock at what she described as a deliberate attempt to sabotage her career by refusing to play her songs. She accused the station of barring both her old and new music from the airwaves.

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“Since December 2023. I personally reached out in January. You are still refusing to play my music and giving my team a hard time. You’re not gatekeepers, and you are not God, Mr Serge Noujaim and Mr Joseph Adamu,” she wrote.

She further criticized the lack of communication from the management regarding the issue.

“The common decency to reach out and clear out any misunderstanding borne out of sheer carelessness on your path for a whole year, and your next move is to place an embargo on my songs? Remove my whole catalogue,” she added.