Entertainment
Michael Jackson’s Revolutionary Album ‘Thriller’ Turns 40
Michael Jackson’s “Thriller,” which turns 40 next week, was the most commercially successful album of all time and helped define an era with its audiovisual aspirations. It combined rock, pop, and RnB in a way that had never been done before.
Over 100 million copies of “Thriller” have been sold globally since its November 30, 1982, debut.
It established Jackson as the “King of Pop” and is still a fundamental piece of music.
Even the latest paedophilia accusations in the 2019 documentary “Leaving Neverland” couldn’t diminish Jackson’s appeal; his music is presently rated 60th globally on Spotify with 36.7 million monthly plays.
His influence is still all over the charts, not least in the form of The Weeknd, whose music has channelled Jackson, from an early cover of “Dirty Diana” (2010’s “DD”) through to his recent chart-topping album “Dawn FM”.
“Michael is somebody that I admire. He’s not like a real person, you know? When I started making music, that’s all I wanted to aspire to, just like every other musician,” the Canadian singer-songwriter told GQ magazine recently.
Much of the magic on “Thriller” is thanks to producer Quincy Jones, who had worked with Jackson on 1979’s “Off The Wall”.
“The record company didn’t want Quincy for ‘Off The Wall’. They took a dim view of this producer from the jazz world — music that sold peanuts in the eyes of the industry,” said Olivier Cachin, author of two books on Jackson.
But the collaboration saw sparks fly — literally on one occasion.
“When we were finishing ‘Beat It’… we were working five nights and five days, with no sleep. And at one point, the speakers overloaded and caught on fire!” Jones recalled to Rolling Stone.
– Threatening MTV –
“Thriller” was the moment when Jackson started to pull in influences from across pop culture, with Eddie Van Halen’s hard rock solo on “Beat It”, and pop ballad “The Girl is Mine” with Paul McCartney.
There were pioneering rap rhythms on “Wanna Be Startin’ Somethin’” and a sample from “Soul Makossa” by saxophonist Manu Dibango (who got a large pay-out after Jackson’s team failed to secure authorisation).
Initially, the record failed to break on to the newly established MTV channel, which refused to show the video for megahit single “Billie Jean” on the grounds that black music did not “fit” with its white-dominated rock programming.
The boss of Jackson’s parent label at CBS, Walter Yetnikoff, “threatened to publicly denounce MTV as huge racists and block their access to videos of rock artists in its catalogue”, said Cachin.
Yetnikoff won that battle but then found himself clashing with Jackson over his plans for a $1 million video for the album’s last single, the title track “Thriller”.
Jackson wanted to work with director John Landis, having loved his movie “An American Werewolf in London”, while Yetnikoff thought the plan was pointless when the album was already at number one.
“But Michael had a vision, and he was stubborn,” said Cachin.
The ensuing 14-minute mini-film, which had its Hollywood premiere in front of a star-studded audience, helped revitalize album sales.
Not only did Jackson transform into a werewolf and raise the dead from the dead, but the elaborate and ambitious music videos that followed would go on to define the following two decades of modern culture.
Eloswag, a former contestant on Big Brother Naija Season 7, has broken his silence following the release of his private video online.
The reality star reportedly uploaded a clip featuring himself and an unidentified woman on his Snapchat account at approximately 3 a.m. on Sunday.
Though Eloswag swiftly deleted the video, it had already caught the attention of the internet.
The explicit content quickly gained traction after being reposted by the controversial gossip blog, Gistlover, sparking widespread conversations across social media platforms.
In response to the incident, Eloswag took to X (formerly Twitter) to express his frustration and consider possible legal action.
In a now-deleted post, he wrote, “I mistakenly posted a video on my Snapchat by 3am and deleted it immediately, guess who has the video? GISTLOVER? How? Please, can I sue? Because it doesn’t make sense.”
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The reality star’s reaction highlights the challenges celebrities face when intimate content finds its way online.
While some supporters have shown empathy, others have engaged in heated debates about the responsibility of public figures in handling their digital content.
Eloswag’s predicament places him alongside other Nigerian celebrities who have dealt with similar scandals, such as Moyo Lawal, Tiwa Savage, Oxlade, and James Brown, whose private videos have previously surfaced online.
Legal experts have weighed in on Eloswag’s potential case, noting that while pursuing legal action against individuals or platforms that share such content can be complex, it is not impossible.
The development has reignited discussions on digital privacy and the ethical responsibilities of content-sharing platforms.
As Eloswag’s fans and critics await further updates, the incident underscores the precarious nature of online privacy and the far-reaching consequences of a single momentary lapse.
Nigeria’s Chidimma Vanessa Adetshina has claimed the No. 2 spot on the Miss Universe Pre-Arrival Hot Picks, solidifying her position as a top contender in the upcoming November 16, 2024, pageant.
As excitement builds for Miss Universe 2024, Adetshina’s ranking has sparked national pride and optimism in Nigeria, with many hopeful she could secure the title.
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Adetshina arrived in Mexico last month to prepare for the competition and has since captured widespread attention.
However, her path to Miss Universe has been marked by challenges.
Initially competing as Miss Taraba in Miss Universe Nigeria, she withdrew from the Miss South Africa pageant following online backlash regarding her nationality and accusations of fraud by the South African Home Office.
This setback, however, did not deter her ambitions.
Her current standing as a top pick underscores her growing international recognition and support, positioning her as a formidable contender ahead of the competition.
Many have taken to social media to voice their support, with some declaring her Nigeria’s best chance yet to secure the Miss Universe crown.
Nigerians have been ranked among the top social media users globally, with 2024 data positioning the country fifth in the world for average daily time spent online.
According to figures from Cable.co.uk and We Are Social, shared by World of Statistics on X, Nigerians spend an average of 3 hours and 23 minutes per day on social media.
Leading the global list is Kenya, where users spend the most time on social media at 3 hours and 43 minutes daily. South Africa follows closely with 3 hours and 37 minutes, Brazil with 3 hours and 34 minutes, and the Philippines at 3 hours and 33 minutes.
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With an average of 3 hours and 23 minutes, Nigeria ranks just behind these top four countries in social media engagement.
Other nations with notable social media usage include Colombia at 3 hours and 22 minutes, Chile and Indonesia both at 3 hours and 11 minutes. Completing the top ten are Saudi Arabia and Argentina, with daily averages of 3 hours and 10 minutes and 3 hours and 8 minutes, respectively.
By comparison, some countries report lower social media usage. Ghana averages 2 hours and 43 minutes, Egypt 2 hours and 41 minutes, and Thailand 2 hours and 30 minutes.
Among European countries, social media engagement is generally lower, with Portugal averaging 2 hours and 23 minutes, Romania 2 hours and 20 minutes, and Italy 2 hours and 17 minutes, highlighting significant regional variations in social media usage.
Full list:
Kenya – 03:43
South Africa – 03:37
Brazil – 03:34
Philippines – 03:33
Nigeria – 03:23
Colombia – 03:22
Chile – 03:11
Indonesia – 03:11
Saudi Arabia – 03:10
Argentina – 03:08
Mexico – 03:04
Malaysia – 02:48
Ghana – 02:43
Egypt – 02:41
Thailand – 02:30
Bulgaria – 02:26
Vietnam – 02:23
Portugal – 02:23
Romania – 02:20
Italy – 02:17
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