Entertainment
Michael Jackson’s Revolutionary Album ‘Thriller’ Turns 40
Michael Jackson’s “Thriller,” which turns 40 next week, was the most commercially successful album of all time and helped define an era with its audiovisual aspirations. It combined rock, pop, and RnB in a way that had never been done before.
Over 100 million copies of “Thriller” have been sold globally since its November 30, 1982, debut.
It established Jackson as the “King of Pop” and is still a fundamental piece of music.
Even the latest paedophilia accusations in the 2019 documentary “Leaving Neverland” couldn’t diminish Jackson’s appeal; his music is presently rated 60th globally on Spotify with 36.7 million monthly plays.
His influence is still all over the charts, not least in the form of The Weeknd, whose music has channelled Jackson, from an early cover of “Dirty Diana” (2010’s “DD”) through to his recent chart-topping album “Dawn FM”.
“Michael is somebody that I admire. He’s not like a real person, you know? When I started making music, that’s all I wanted to aspire to, just like every other musician,” the Canadian singer-songwriter told GQ magazine recently.
Much of the magic on “Thriller” is thanks to producer Quincy Jones, who had worked with Jackson on 1979’s “Off The Wall”.
“The record company didn’t want Quincy for ‘Off The Wall’. They took a dim view of this producer from the jazz world — music that sold peanuts in the eyes of the industry,” said Olivier Cachin, author of two books on Jackson.
But the collaboration saw sparks fly — literally on one occasion.
“When we were finishing ‘Beat It’… we were working five nights and five days, with no sleep. And at one point, the speakers overloaded and caught on fire!” Jones recalled to Rolling Stone.
– Threatening MTV –
“Thriller” was the moment when Jackson started to pull in influences from across pop culture, with Eddie Van Halen’s hard rock solo on “Beat It”, and pop ballad “The Girl is Mine” with Paul McCartney.
There were pioneering rap rhythms on “Wanna Be Startin’ Somethin’” and a sample from “Soul Makossa” by saxophonist Manu Dibango (who got a large pay-out after Jackson’s team failed to secure authorisation).
Initially, the record failed to break on to the newly established MTV channel, which refused to show the video for megahit single “Billie Jean” on the grounds that black music did not “fit” with its white-dominated rock programming.
The boss of Jackson’s parent label at CBS, Walter Yetnikoff, “threatened to publicly denounce MTV as huge racists and block their access to videos of rock artists in its catalogue”, said Cachin.
Yetnikoff won that battle but then found himself clashing with Jackson over his plans for a $1 million video for the album’s last single, the title track “Thriller”.
Jackson wanted to work with director John Landis, having loved his movie “An American Werewolf in London”, while Yetnikoff thought the plan was pointless when the album was already at number one.
“But Michael had a vision, and he was stubborn,” said Cachin.
The ensuing 14-minute mini-film, which had its Hollywood premiere in front of a star-studded audience, helped revitalize album sales.
Not only did Jackson transform into a werewolf and raise the dead from the dead, but the elaborate and ambitious music videos that followed would go on to define the following two decades of modern culture.
Nigerian singer Ayra Starr has sparked a debate over money and power in relationships after revealing how she would behave if she were financially richer than her male partner.
The “Bloody Samaritan” hitmaker shared her views on financial disparity in relationships while speaking on an episode of the Wahala podcast.
SEE ALSO: Ayra Starr Breaks Records, Hits One Billion Views On YouTube
Ayra Starr said that if she dates a man who is not as wealthy as she is, she would naturally have control over him because of her financial advantage.
According to the singer, however, being richer than her partner would not mean he would be exempted from providing for her.
“If I date a man who I am richer than, I will control him. But even if I am richer, he will still be providing, and I won’t let him know I have a lot of money,” she said.
Ayra Starr also disclosed that she would deliberately keep the extent of her wealth away from such a partner, meaning he would not necessarily know that she has substantial financial resources.
Her comments have since generated mixed reactions from members of the public.
While some people agreed with the singer’s position, arguing that “it is a man’s job to provide” regardless of how much his female partner earns, others criticised her stance.
Critics particularly questioned her decision to hide her financial status from a future partner, arguing that openness about finances is an important part of a relationship.
The singer’s comments have consequently reignited conversations about financial power, control, transparency and traditional gender expectations in relationships.
The debate also comes amid growing conversations about changing gender roles, as more women attain financial independence and, in some cases, earn significantly more than their male partners.
Ayra Starr, who has established herself as one of Nigeria’s prominent Afrobeats artistes, continues to attract attention both for her music and her outspoken comments on issues surrounding relationships and society.
Nollywood actress and filmmaker, Funke Akindele, and her former husband, Abdulrasheed Bello, popularly known as JJC Skillz, have sparked reactions online after they were spotted together in Paris, France, during a family holiday.
The former couple were seen spending time with their twin sons while exploring different parts of the French capital.
In a video shared by JJC Skillz on Snapchat on Wednesday, Akindele and her ex-husband were seen with their children at what appeared to be a shopping centre in Paris.
SEE MORE: Nollywood Mourns as Veteran Actor Taiwo Hassan ‘Ogogo’ Dies at 66
The video was captioned, “Family time.”
In another clip, JJC Skillz asked Akindele, “Mama Ibeji, are we playing games?”
She replied, “Yess ooo.”
The former couple were also reportedly spotted at the Eiffel Tower, according to videos shared online.
Akindele also shared a video showing herself, JJC Skillz and their children at a PlayStation section of what appeared to be a mall in Paris.
The family outing comes after Akindele and her children travelled to the United Kingdom for a holiday following the completion of her latest cinema project, The Four.
Akindele and JJC Skillz got married in London in 2016 and welcomed twin boys in 2018.
However, in June 2022, JJC Skillz announced their separation in an Instagram post, citing
“irreconcilable differences.”
Despite their separation, the former couple have continued to maintain a relationship centred around their children.
Their latest reunion in Paris has attracted attention online, with the videos showing the pair enjoying family moments with their children.
The Paris outing is also not the first time Akindele and JJC Skillz have been seen together publicly since their separation.
In 2023, the former couple were spotted together at the Lagos premiere of their movie, She Must Be Obeyed. They were seen dancing and embracing as they joined other celebrities at the event.
JJC Skillz also directed the movie.
Nigerian Afrobeats singer Raheem Okoya, popularly known as Siraheem, has announced his decision to stop releasing new music, citing the difficulty of balancing his music career with other commitments.
Siraheem, the son of billionaire industrialist Rasaq Okoya, made the announcement in a statement shared on his official Instagram page on Wednesday.
The singer said his journey into music began as a hobby with friends before gradually developing into a serious career.
SEE MORE: ‘Gospel Music Has Power To Transform Nigeria’ – Pastor Declares
“My career began simply, music was a hobby I made with my boys as a means of bonding and connection before it was anything else,” he said.
According to Siraheem, sustaining his music career alongside his other responsibilities had become increasingly difficult over the past year.
“Over the past year, holding that alongside my other commitments has grown harder. I’ve always believed in giving everything my best and I no longer feel I can give this craft the effort, patience, and dedication it truly deserves,” he said.
Explaining his decision, the singer said he owed his fans and colleagues a professional conclusion to his current chapter.
“So I owe it to my true fans, and to my colleagues in this industry a professional exit, I have decided to stop putting out new music,” he stated.
However, Siraheem stressed that his departure from music would not end his creative pursuits. He revealed plans to diversify into other fields and pursue new ventures.
“To my fans the ‘Siraheem music’ era may be closing, but the creative in me is still hungry for new challenges, still reaching. The future stays positive. I have plans to diversify my creative palette into other fields and I will be back with new ventures,” he said.
The singer also left the door open for a possible return to music, particularly with songs he has already recorded.
Siraheem said music remains therapeutic to him and disclosed that he had spent the past year working on what he considered his best material yet.
“Music still remains therapeutic for me. With time, maybe the album finds its way into the world somehow after all,” he said.
Siraheem began releasing music professionally around 2022 and gained attention with songs including Bad Bitch Syndrome, Kowope, SOWETO and TRU$T FUND.
His debut project, By The Order Of The City, an eight-track project, was released on May 1, 2026.
Despite announcing his exit, Siraheem did not completely rule out a comeback.
“Who knows what the future still holds. Never say never,” he said.
He also thanked his fans and collaborators, Mr Fantasy and Mr Miyagi, for supporting him during what he described as an unforgettable year.
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