Entertainment
FG’s Ban On Smoking, Ritual Scenes In Films Divide Nollywood Stakeholders Views
The Federal Government’s recent move to enforce a prohibition on smoking, money rituals, and ritual killings in Nigerian films has sparked a contentious debate within the Nollywood community.
The announcement, made by Dr. Shaibu Husseini, Executive Director of the National Film and Video Censors Board (NFVCB), aims to curtail the glamorization of such acts in movies, musical videos, and skits, under a new regulation approved by the Minister of Arts, Culture, and Creative Economy, Hannatu Musawa.
During a national stakeholders’ engagement on smoke-free Nollywood in Enugu, Dr. Husseini emphasized that the regulation seeks to discourage harmful content and promote positive values, particularly for teens and young adults who form a significant portion of the Nigerian movie audience.
The NFVCB plans to implement extensive educational programs across schools, communities, and faith-based groups to highlight the dangers of smoking and the negative influence of ritualistic scenes.
However, the policy has received mixed reactions from industry stakeholders. Veteran actor Bob Manuel Udokwu supports the government’s move, explaining that it is not an outright ban but a measure to prevent inadvertent promotion of smoking and ritual acts. He believes that filmmakers can still depict such scenes when necessary for storytelling, such as in documentaries or true-life stories.
Conversely, actress Jennifer Obodo criticises the government for focusing on Nollywood instead of addressing pressing national issues like high fuel prices, food shortages, and poor infrastructure.
She argues that movies are a form of storytelling and that banning these elements does not address the root of the problem, suggesting that the government should instead regulate cigarette production and sales.
Ngozi Eze Evuka, another actress, argues against the ban, stating that movies educate and entertain rather than corrupt viewers. She fears that banning smoking and ritual scenes could lead to further restrictions on other narrative elements in Nollywood, such as sexual acts and depictions of traditional practices.
Nollywood producer Nnaemeka Charles Eze (Nani Boi) also opposes the ban, suggesting it distracts from more critical national issues and could stifle creative expression. He proposes that an oversight body should ensure films meet ethical standards without compromising artistic freedom.
Despite the opposition, some, like Nelson Bright, view the ban positively, linking it to broader efforts to combat human trafficking and illegal organ harvesting. Nonetheless, he acknowledges that such restrictions could limit personal liberty and drive filmmakers away from the Nigerian cinema industry, potentially impacting its international recognition and profitability.
Don Sylvester Nweke, CEO of Don Sylvester Records, believes the ban is unnecessary and suggests that films should instead depict the negative consequences of smoking and rituals to educate viewers. He argues that censorship should focus on ensuring films convey moral lessons rather than outright banning content.
Maxi Okwu, former National Chairman of APGA, raises constitutional concerns, emphasizing the need to protect fundamental rights to freedom of thought, conscience, and religion. He warns that the ban might infringe on these rights and suggests that any law limiting such freedoms would require constitutional amendments.
As Nollywood grapples with this contentious regulation, the debate underscores the delicate balance between artistic freedom and social responsibility in the film industry.
Lagos witnessed an electrifying night of Afrobeats excellence on December 23, 2024, as the Flytime Music Festival took center stage.
Headlined by Nigerian music powerhouse Olamide, the event brought together an impressive lineup of stars to deliver unforgettable performances.
Olamide, affectionately called “Baddest” by fans, captivated the audience with back-to-back hits from his extensive catalog, including fan favorites like Melo Melo and Duro Soke.
The night turned emotional when Zlatan Ibile joined Olamide on stage and knelt in homage, a moment that resonated deeply with the crowd.
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The festival also showcased the generational impact of Olamide’s artistry.
Rising stars like Lil Kesh, Young Jonn, and Pheelz, who credit Olamide as a mentor, joined him on stage for a nostalgic display of talent.
Bella Shmurda, Fireboy DML, and Wande Coal also made show-stopping appearances.
A highlight of the night was the powerful duet between Olamide and Wande Coal on their hit song Kpe Paso.
Afrobeats royalty turned out in full force to support Olamide. Icons like Tiwa Savage, Phyno, Peruzzi, and Iyanya performed alongside emerging stars such as Magixx, Omah Lay, Orezi, Khaid, and Lojay, making the event a celebration of the genre’s past, present, and future.
CKay added extra flair by joining Olamide for a vibrant performance of their collaboration, Wahala, while Tiwa Savage brought her signature energy to the stage, keeping fans on their feet.
Backstage, entertainers Tunde Perry and Farulee added a dose of humor, further elevating the night’s excitement. Flytime Music Festival 2024 was more than a concert; it was a testament to the unifying power of music and a celebration of the global dominance of Afrobeats.
Nigerian music sensation Davido was recently seen engaging warmly with Bose Ogulu, the mother and manager of Grammy-winning artist Burna Boy, at Tony Elumelu’s exclusive all-white party in Lagos.
The event, hosted by the prominent entrepreneur and philanthropist, gathered a star-studded assembly of celebrities, business leaders, and influencers.
The interaction between Davido and Ogulu drew significant attention, especially considering the previously reported tensions between Davido and Burna Boy.
Their cordial exchange at the event has sparked discussions among fans and observers, suggesting a possible easing of past disagreements.
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The all-white party, known for its elegance and high-profile guest list, featured performances from top Nigerian artists, including Davido and Burna Boy. Their individual performances were among the highlights of the evening, showcasing the unity and vibrancy of the Nigerian music industry.
Tony Elumelu’s gatherings are renowned for bringing together diverse talents and fostering a spirit of collaboration. The presence of both Davido and Burna Boy’s mother at the same event underscores the influential role such occasions play in bridging gaps within the entertainment community.
As videos and images from the event circulate on social media, fans express optimism about the potential reconciliation between the two music giants. Many hope that this encounter signifies a new chapter of collaboration and mutual respect in the Nigerian music scene.
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Several children lost their lives, and many others were injured in a tragic incident at a funfair in Ibadan, a city in south-west Nigeria.
The event, which was advertised as free entry, attracted a massive crowd, resulting in a crush as attendees struggled to gain access.
Eyewitnesses reported that over 5,000 children gathered at the venue, located at the Islamic High School Basorun. The tragedy unfolded when the main organisers arrived to begin the event. While the exact sequence of events leading to the crush remains unclear, the situation escalated into chaos, leaving scores injured.
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The Oyo state government confirmed the incident, stating that victims had been rushed to various hospitals across Ibadan for treatment. In a statement, they acknowledged “multiple loss of lives and injuries.” Authorities have urged concerned parents to check local hospitals for their children’s whereabouts.
The devastating event has left the community in shock, with residents mourning the lives lost in what should have been a joyous occasion. Investigations are expected to shed light on how the situation spiraled out of control.
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