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Full List: Tems Nominated For 2023 Oscar Awards

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Full List: Tems Nominated For 2023 Oscar Awards

Nigerian singer, Temilade Openiyi, professionally known as Tems, has been nominated for the 2023 Academy Awards.

She was nominated in the category of Best Original Song for her contribution as a songwriter for “Lift Me Up,” the soundtrack for Marvel’s “Black Panther: Wakanda Forever.”

Tems co-wrote the song with Rihanna, music producer Ludwig Göransson, and the film’s director Ryan Coogler.

The nominees for the 95th Academy Awards were announced on Tuesday, with the sci-fi film “Everything Everywhere All at Once” leading the pack with 11 nominations.

Here are the full list of the nomination:

Best picture.

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director

Martin McDonagh (“The Banshees of Inisherin”)

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)

Steven Spielberg (“The Fabelmans”)

Todd Field (“Tár”)

Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”)

Colin Farrell (“The Banshees of Inisherin”)

Brendan Fraser (“The Whale”)

Paul Mescal (“Aftersun”)

Bill Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“Tár”)

Ana de Armas (“Blonde”)

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”)

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”)

Brian Tyree Henry (“Causeway”)

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”)

Ke Huy Quan (“Everything Everywhere All at Once”)

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”)

Hong Chau (“The Whale”)

Kerry Condon (“The Banshees of Inisherin”)

Jamie Lee Curtis (“Everything Everywhere All at Once”)

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography

“All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

Best Documentary Feature Film

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film

“All Quiet on the Western Front” (Germany)

“Argentina, 1985” (Argentina)

“Close” (Belgium)

“EO” (Poland)

“The Quiet Girl” (Ireland)

Best Original Song

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best Production Design

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Costume Design

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor.

Entertainment

I Make $40,000 Montly With Content Creation Says Blessing CEO

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In a recent interview with Egungun of Lagos, Blessing CEO, a self-proclaimed relationship and mentorship expert, opened up about her inspiring journey to financial freedom through content creation.

Blessing revealed she earns nearly $40,000 monthly, attributing her success to a unique blend of authenticity, strategic planning, and consistency.

“People are drawn to relatable content,” she explained. “I share real-life experiences and practical advice, which has helped me build a loyal audience.”

READ MORE: Wizkid’s “Morayo”: Critics, Fans Clash Over Album’s Quality

Starting from humble beginnings, she leveraged social media platforms like Instagram, TikTok, and YouTube to reach millions with her relationship tips and motivational talks.

Her ability to connect with her audience has not only brought financial success but also solidified her status as a trusted mentor.

As a mentor, Blessing also highlighted the importance of personal branding and networking, she said. “There’s lot of money in content creation, Your story is your power.”

Her journey is a testament to how leveraging digital platforms can create a thriving business and change financial status.

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Nicki Minaj Teams Up With Davido On ‘The Pink Print’ Anniversary

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On November 22, 2024, Nicki Minaj celebrated the 10th anniversary of her critically acclaimed third studio album, ‘The Pink Print’, by releasing a special edition packed with four new tracks featuring a lineup of global stars, including Nigerian sensation, Davido.

First released in December 2014, The Pink Print became a cultural milestone, delivering smash hits like “Anaconda” and “Only” featuring Lil Wayne and Chris Brown.

A decade later, Nicki Minaj reinvents the magic with fresh collaborations, one of which sees Davido appear on “If It’s Okay,” a track that also includes the talents of French DJ and producer David Guetta.

READ MORE: Nicki Minaj Remains the GOAT, Tacha Praises Amid Singer’s Grammy Mishap

This collaboration marks the second time Davido and Nicki Minaj have joined forces, following their hit “Holy Ground” from Davido’s 2020 album A Better Time.

Nicki Minaj expressed her appreciation for Davido’s contribution to the new track on her X account, a post that immediately sparked excitement among her Nigerian fans.

Known for her occasional use of Nigerian Pidgin English online, Minaj continues to resonate deeply with her audience in the region.

The 10th-anniversary edition also features “Turn Yo Cap Back” with Swae Lee, “Arctic Tundra” with the late Juice WRLD, and “Remember Me,” featuring Parker Ighile. These additions showcase Minaj’s ability to evolve while remaining true to her legacy.

Since the release of The Pink Print, Nicki Minaj has solidified her status as a global icon and one of the most influential female rappers in history. Her new tracks not only honor the original album’s success but also underline her enduring relevance in the music industry.

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Wizkid’s “Morayo”: Critics, Fans Clash Over Album’s Quality

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Renowned Nigerian artist Wizkid recently released his highly anticipated album, Morayo, but the project has ignited a storm of opinions online.

While some fans hailed it as another masterpiece, critics like popular Twitter commentator Daniel Regha have called the album a disappointment, labeling it “quantity over quality.”

In a scathing review posted hours after the album’s release, Daniel Regha rated Morayo 3.5/10, citing repetitive tracks, uninspiring lyrics, and a lack of emotional depth. Regha argued that the album appears designed for TikTok virality rather than offering meaningful musical content.

Key Criticisms from Daniel Regha

Regha pointed out that tracks like “Bend” felt shallow and overly simplistic, while collaborations such as “Bad Girl” featuring Asake failed to live up to expectations. According to him, the standout tracks “Pray” and “Kese (Dance)” provide a glimpse of originality, but they aren’t enough to save the album. He further criticized Wizkid for not dedicating any song to his late mother, an omission many fans found surprising.

READ MORE: Wizkid Drops Sixth Studio Album ‘Morayo’

Regha concluded by suggesting the album would have been better off as a four-to-five-song EP, stating, “Wizkid needs new musical ideas.”

Fans and Critics React

Regha’s critique sparked divided opinions on social media, with some fans agreeing and others fiercely defending the album. A Twitter user, @AdegboyeBodunde, echoed Regha’s sentiment, comparing Morayo unfavorably to projects by rising artists like Fola Baloranking and Minz. “Honestly, the album is so below average. Even new artists are coming out with bangers back to back,” he tweeted.

However, others were quick to dismiss Regha’s comments, questioning his authority to critique music. @africanvogue lashed out, saying, “Why give this wicked boy a voice? He knows he will get a response from Wizkid’s fans. @DanielRegha has never done anything of worth but pulls down the hard labor of others for his profit. That is criminal!”

Another user, @akinmusi, questioned Regha’s qualifications, writing, “What certifications does he hold in music? Has he authored any scholarly work, thesis, dissertation, or conducted research in the field? I’m genuinely curious.”

Is Morayo a Hit or Miss?

Despite the backlash, Morayo is expected to perform well commercially, driven by Wizkid’s loyal fanbase and widespread hype. The album experiments with new sounds and features top-notch production quality, which Regha himself acknowledged as one of its redeeming features.

However, the larger question remains: Is Wizkid delivering music for artistic growth, or is he leaning too heavily on commercial trends? The polarised reactions to Morayo suggest that Wizkid’s latest project will be a topic of debate for weeks to come.

The release of Morayo highlights the ever-present tension between artistic expression and fan expectations in the music industry.

While critics and fans continue to clash over its quality, one thing is certain: Wizkid remains one of the most talked-about artists in Africa, capable of commanding attention with every move he makes.

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