Entertainment
Full List: Tems Nominated For 2023 Oscar Awards
Nigerian singer, Temilade Openiyi, professionally known as Tems, has been nominated for the 2023 Academy Awards.
She was nominated in the category of Best Original Song for her contribution as a songwriter for “Lift Me Up,” the soundtrack for Marvel’s “Black Panther: Wakanda Forever.”
Tems co-wrote the song with Rihanna, music producer Ludwig Göransson, and the film’s director Ryan Coogler.
The nominees for the 95th Academy Awards were announced on Tuesday, with the sci-fi film “Everything Everywhere All at Once” leading the pack with 11 nominations.
Here are the full list of the nomination:
Best picture.
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Director
Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“Tár”)
Ruben Östlund (“Triangle of Sadness”)
Best Lead Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
Best Lead Actress
Cate Blanchett (“Tár”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)
Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley
Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
Best Cinematography
“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
Best Documentary Feature Film
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best Documentary Short Film
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
Best International Feature Film
“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
Best Original Song
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best Production Design
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Animated Feature Film
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
Best Costume Design
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad
Best Makeup and Hairstyling
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Original Score
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor.
Entertainment
Angela Okorie Reveals Why She Burnt Outfit Worn to Alex Ekubo’s Burial
Nollywood actress Angela Okorie has sparked fresh reactions online after revealing that she burnt the outfit she wore to the burial of late actor Alex Ekubo, following advice from her godmother.
The actress made the disclosure via her Instagram page, where she explained that she was instructed not to keep clothes worn to funeral ceremonies, describing it as a traditional belief passed down through her family.
SEE ALSO: I’m Bigger Than You And Your Career’ – Regina Daniels Drags Angela Okorie
According to her, the advice came from her godmother, who insisted that clothing worn to burials should be discarded or burnt after the event.
Angela said she chose to follow the instruction and decided to publicly share the practice with her followers.
“This is the outfit I wore to Alex’s burial. My Godmother said it is not good to have the cloth you wore to a burial around you; you burn them. So family and friends take note. I felt I should share this information. May the Lord keep and bless us with long life. Amen,” she wrote.
Her revelation has since generated mixed reactions across social media, with some users supporting the traditional belief while others questioned the necessity of burning clothing after funerals.
The actress, known for her outspoken personality and frequent online commentary, has continued to trend over her posts, which often stir public debate.
See video below
https://x.com/i/status/2069056388496576546
Entertainment
Why I Wanted to Become a Reverend Sister — Beverly Osu
Popular Nigerian actress, model, and reality TV star Beverly Osu has opened up about her childhood dream of becoming a Reverend Sister, revealing that she was once deeply drawn to the religious life because of her admiration for the discipline and appearance of Catholic clergy.
Speaking on the Creativtea Podcast, the actress reflected on her upbringing and strong Catholic background, noting that her early years were shaped by faith and religious values.
“I grew up in Lagos, in Surulere, and from Surulere I moved to Yaba, Ojuelegba. I am a Lagos girl,” Beverly said while recounting her childhood experiences.
ALSO SEE: Renowned American Singer, Frankie Beverly Passes Away
The former Big Brother Africa housemate disclosed that she attended Daughters of Divine Love Juniorate in Enugu and seriously considered dedicating her life to the Church.
“I was meant to be a Reverend Sister. I wanted to really be a Reverend Sister. Now, I am doing God’s work in other ways,” she said.
According to Beverly, her fascination with the religious vocation stemmed from the neatness, discipline, and appearance of priests and Reverend Sisters.
“I love how they dress. Because I am meticulous and very neat, I just loved how clean the priests and Reverend Sisters were. Literally, that was it,” she explained.
The actress also addressed the criticism that followed a previous photoshoot in which she dressed as a Reverend Sister, a move that generated widespread reactions on social media.
Beverly maintained that the photoshoot was purely artistic and not intended to offend anyone, stressing that many people misunderstood the concept behind it.
“I grew up in a very Catholic-oriented home. This is not just being Catholic in Africa, far and wide. People just read meaning to it. Nigerians just like to talk. It wasn’t a big deal. It was just arty,” she said.
Responding to claims that she is controversial, the actress insisted that she has never intentionally sought controversy or acted to provoke public reactions.
“I have never meant any harm. I have never done anything with the mindset to be controversial. I just came across the word ‘controversial’. People say I am controversial, but I am just being me,” Beverly added.
Her comments have sparked fresh conversations among fans, with many expressing surprise at her revelation that she once aspired to become a Reverend Sister before finding fame in the entertainment industry.
Entertainment
Why Nigerians Think I’m Wicked — Patience Ozokwor Finally Reveals the Truth
Veteran Nollywood actress Patience Ozokwor has opened up about the public perception that she is wicked in real life, explaining that the belief stems from the villainous roles she has played throughout her successful acting career.
Popularly known as “Mama G,” the 67-year-old actress said many Nigerians often struggle to separate her on-screen characters from her real personality.
SEE MORE: Patience Ozokwor Inspired Me To Stop Indecent Dressing – Mercy Johnson
Speaking during a recent video chat, Ozokwor stressed that the tough and controversial roles she portrays are meant to expose societal problems rather than define who she is as a person.
According to the veteran actress, she deliberately takes on challenging roles that reflect real-life issues, including family conflicts, oppression, and other social vices that many people prefer to ignore.
“I feel bold to expose the ills in society. Those things happen and nobody wants to expose them. I am exposing them,” she said.
Ozokwor noted that while she is often cast as a strict mother, troublesome mother-in-law, or other antagonistic characters, those roles are simply part of her profession as an actress.
The Nollywood icon emphasized that she is nothing like many of the characters she portrays on screen and urged fans to understand the difference between acting and reality.
“I am not like that, but I expose it. I am extremely proud of myself and Mama G lovers are proud of me,” she added.
The actress further explained that storytelling plays an important role in addressing societal issues and encouraging positive change.
She expressed satisfaction that many of her fans appreciate the deeper messages behind her performances rather than judging her based solely on the characters she plays.
Over the years, Patience Ozokwor has built a reputation as one of Nollywood’s most respected actresses, earning praise for her powerful performances and ability to bring complex characters to life.





