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Is Rap Really Dead?

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By Funmilayo Olusanya

 

When Ayodeji Balogun, popularly known as Wizkid, enthusiastically declared in an interview with 10 Magazine based in Australia that rap is dead and then claimed he meant that the genre is dead in Nigeria because it has been in a steady decline and those who participate in it are slowly fading away, it left one question unanswered, is rap really dead?

 

In this report, Funmilayo Olusanya takes a deep dive into the history of both Afrobeat and rap music in Nigeria, x-raying which one is dead or alive.

 

Modern Music in today’s world is a major form of entertainment. While classical, country, Rhythm & Blues (R&B), hip-hop, rap, and other modern genres of music are among the most popular worldwide, important subgenres of African music include Afrobeat, Highlife, Hiplife, Juju, and so on.

 

The most well-known genres in Nigeria and on a global stage, recognized to be from Nigeria or majorly from Nigeria are Indigenous genres like Apala, Ogene, Fuji, Jùju, and Afrobeat, among others.

 

In recent times there has been a rise in comparison between Afrobeat and rap music, and debates as to those keeping it real and those selling out, old versus new school, which one is dead or alive, and who is superior and inferior between Afrobeat artists and rap artists.

 

In this article, I will be giving utmost attention to Afrobeat and rap music in Nigeria. Can we say that Afrobeat is doing much better than rap in Nigeria? Is rap dead? Which of the two is gaining prominence in Nigeria today? Of course, all these questions will be answered.

 

Nigerian Rap, Afrobeat

 

Afrobeat and rap music are two distinct genres that have gained widespread popularity over the years. While both styles have their roots in African and African-American culture, they have evolved in different ways and have been influenced by various musical and cultural influences.

 

Afrobeat originated in Nigeria in the 1970s and was created by the legendary musician Fela Kuti. It is a fusion of traditional West African music, jazz, and funk, and is characterized by its heavy use of percussion, complex polyrhythms, and politically charged lyrics.

 

Afrobeat has had a significant influence on other genres of music, including hip-hop and dancehall, and has become popular around the world, particularly in Africa and Europe.

 

Rap, on the other hand, is a genre of music that originated in the United States in the 1970s. It is characterized by its use of spoken or shouted lyrics over a beat and is often associated with urban culture and the hip-hop movement.

 

Rap music has evolved significantly over the years, and has been influenced by a wide variety of styles, including funk, jazz, soul, and rock.

 

Today, rap music is one of the most popular genres in the world, with a huge following in the United States and around the globe.

 

One of the most notable similarities between Afrobeat and rap music is their use of politically charged lyrics. Both genres have been used as a way for artists to speak out about social and political issues, and to promote positive change.

 

Fela Kuti, for example, used his music to speak out against corruption and injustice in Nigeria, and his music became an important tool for political activism in Africa.

 

Similarly, many rap artists have used their music to address issues such as racism, police brutality, and poverty, and have used their platform to inspire social change.

 

Afrobeat and rap music have both had a major impact on popular culture and have contributed significantly to the evolution of modern music in Nigeria.

 

Both genres have been used as a platform for artists to express their political views and to address social and cultural issues.

 

Afrobeat and rap have also been instrumental in shaping the way people think about and interact with music, and have influenced the development of other genres of music.

 

In the 1980s and 1990s, Nigerian rap music gained popularity, with artists like Tony Allen, Plantashun Boiz, and Majek Fashek leading the way. These artists brought a more political and socially conscious message to their music, using it as a platform to address issues like corruption, poverty, and social injustice.

 

In the late 1990s and early 2000s, a new generation of Nigerian rappers and Afrobeat artists emerged, including the likes of M.I., WizKid, Olamide, and Burna Boy. These artists brought a more modern and contemporary sound to their genre, incorporating elements of hip-hop and electronic music into their music.

 

Despite their similarities, Afrobeat and rap music are also distinct in many ways.

 

Afrobeat, for example, is more heavily influenced by traditional West African music and incorporates a wide variety of instruments, including horns, percussion, and vocals.

 

Rap music, on the other hand, is primarily centered around spoken or shouted lyrics, and is often accompanied by a DJ or producer who creates the beat. Rap music also tends to be more focused on individual performance and lyrical prowess, while Afrobeat is more collaborative and emphasizes group performance.

 

There are many Afrobeat and rap singers in Nigeria who have gained prominence and made significant contributions to the music industry.

 

WizKid is an Afrobeat singer who has gained international recognition for his catchy and energetic music. He has released several successful albums and singles and has won numerous awards for his work.

 

Davido is another prominent Afrobeat singer in Nigeria. He is known for his energetic stage presence and catchy songs and has gained a large following both in Nigeria and internationally.

 

Olamide is a rapper who is known for his hard-hitting lyrics and energetic delivery. He has released several successful albums and singles and is widely considered one of the most influential rappers in Nigeria.

 

Phyno is another notable rapper in Nigeria. He is known for his unique style, combining traditional Igbo music with modern hip-hop elements.

 

Falz is a rapper and actor who is known for his socially conscious lyrics and humorous style. He has released several successful albums and singles and has won numerous awards for his work.

 

Naira Marley is a rapper who has gained a large following for his controversial lyrics and energetic performances. He has released several successful singles and albums and is known for his unique blend of Afrobeat and rap.

 

The list goes on and on, there are many artists who are successfully doing either Afrobeat or rap music.

 

WHAT DOES THE FUTURE HOLD FOR RAP?

 

As I wrote earlier, rap is a vibrant and popular genre that continues to evolve and influence other forms of music. Rap music has a long history and has had a significant impact on popular culture around the world.

 

Many famous and successful rap artists continue to make music and tour, and new artists are constantly emerging on the scene.

 

Rap music has a devoted and passionate fan base, and it continues to be a popular and influential genre in the music industry.

An example of this is Nicholas Ihua-Maduenyi, popularly known as PsychoYP, a Nigerian alternative hip-hop rapper, singer, and songwriter who is a member of the music collective Apex Village. He broke into the music scene with a critically acclaimed mixtape YPSZN, which earned him a nomination at the SAMAs, and Headies for his second mixtape studio album YPSZN2. He has over 2 million streams on audio Mack alone. Dubbed the “The Fresh Prince of Nigerian Rap”, he is regarded as one of Nigeria’s rap music pioneers in the Alté music scene.

 

Shokoya Oluwasegunfunmi is another notable young, up-and-coming rap artist, popularly known as Davolee, who is a Nigerian rapper, singer, and songwriter. Since his debut in the Nigerian music scene, he has become a mainstay. His latest song “Earning wish” has over 23 million streams.

 

Although at the moment, Nigerian rap is not as popular or successful on the global stage as its Afrobeat counterpart, the genre is far from dead and is instead receiving new life from new, talented young artists who will keep the torch burning in the Nigerian music space for a long time to come.

Entertainment

Nollywood Mourns as Veteran Actor Francis Duru Dies at 57

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The Nigerian film industry has been thrown into mourning following the death of veteran Nollywood actor Francis Duru, who died at the age of 57 after a brief illness.

Duru’s family announced his death on Friday in a statement shared on the actor’s official Instagram page. The National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, also confirmed the development.

Born on July 27, 1969, Duru rose to prominence for his portrayal of Ahanna in Amaka Igwe’s 1995 film Rattlesnake, a role that helped establish him as a recognisable face in Nollywood.

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The actor featured in several other productions throughout his career, including Blood Money and Merry Men, earning recognition for his contributions to Nigerian film and television.

Over the years, Duru established himself as a veteran performer whose work contributed to the growth and development of the Nigerian entertainment industry.

His death comes months after he dismissed speculation about his health following the circulation of a video in June that raised concerns among fans.

Duru’s passing marks a loss for Nollywood, with colleagues, fans and other entertainment industry stakeholders expected to pay tribute to the actor and celebrate his contributions to Nigerian cinema.

 

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Ekuafeh Explores Human Uniqueness, Bond, Connection in Unity Forged in Clay

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Nigerian ceramic sculptor and artist, Chris Onaivi Ekuafeh, has opened Unity Forged in Clay, a solo exhibition that draws on clay, culture and personal experience to explore one of humanity’s enduring questions, “How can people remain different and still belong together?”

The exhibition opened on Saturday, September 26, at Quintessence Gallery, Victoria Island, Lagos, and continues until October 10, 2026.

Featuring 13 ceramic works, Unity Forged in Clay is Ekuafeh’s first solo exhibition on Nigerian soil and follows his first solo show in China in 2025, after a residency at the Taoxichuan Arts Centre in Jingdezhen, one of the world’s historic centres of ceramic art. At the heart of the exhibition are two deceptively simple questions: What is unity? And are we united as a people?

Ekuafeh, however, thinks unity does not necessarily have to demand uniformity. “Unity, for me, is not sameness,” he said. The idea is reflected throughout a body of work in which distinct forms, patterns, faces and cultural references coexist while retaining their individual character. “Unity unveils to me bits and pieces of different entities coming together to achieve a thing,” he said.

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Works in the exhibition include Identity, Where We Connect, What the Fire Kept and Kin, with titles across English, Yoruba and Ekuafeh’s native Igarra language. The choice of language, like the forms themselves, is driven by the story and meaning of each piece rather than by a single cultural frame.

The works reflect a creative journey formed across several Nigerian environments and traditions. Born in Kano and trained at Ahmadu Bello University, Zaria, where he studied Industrial Design with a specialisation in ceramics, Ekuafeh says his exposure to northern Nigerian architecture and material culture first awakened his fascination with clay.

The geometric patterns associated with northern architecture continue to appear in his work, while the distinctive faces he carves into some of his pieces draw from his Edo heritage. Lagos, where he now lives and works, has added another layer to the practice, exposing him to contemporary artistic influences and encouraging an increasingly research-driven approach. The result is an artistic vocabulary in which culture, identity, spirituality, emotion, community and human connection repeatedly intersect.

Ekuafeh said clay is more than a convenient artistic medium. His relationship with the material begins from sourcing from the earth, digging, preparing and processing the clay before shaping it into finished work. That physical process has become part of his understanding of both creativity and human experience.

The work captures that connection through scenes of the artist working directly with clay – pressing, shaping, carving and building – alongside reflections on diversity, fracture, belonging and the continuous work required to sustain unity. Rather than provide predetermined answers, Unity Forged in Clay invites viewers to arrive at their own.

Individual works combine sculptural forms with recurring markings, human features and patterns that encourage closer looking. Some begin with sketches and carefully developed ideas; others evolve more organically as Ekuafeh works with the material, allowing the form to develop alongside the thought that inspired it.

This tension between intention and discovery is central to his practice. Clay becomes both material and collaborator. And the exhibition is a visible expression of the process. Unity Forged in Clay is an opportunity to bring years of experimentation, cultural inquiry and technical practice into a focused solo presentation before returning to the studio to develop the next body of work, Ekuafeh said.

Beyond that, however, Unity Forged in Clay leaves its larger question with the audience. “If different particles of earth can be worked, fired and brought together without losing the marks that make each form distinctive, what might that suggest about people, communities and society?”

Photo Caption: From Left, Ofuma Agali, Business Lead, The Candella & Company; Saheedat Lawal, Gallery Supervisor, Quintessence Gallery; and Chris Ekuafeh; at Ekuafeh’s ‘Unity Forged in Clay’ exhibition, held at Quintessence Gallery, Victoria Island, Lagos, Saturday, 26 September 2026

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Entertainment

JUST IN: Veteran Actor Olu Jacobs Dies at 84

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Veteran Nigerian actor and film executive, Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84.

His death was announced by his son, Olusoji Jacobs, in a statement shared on Instagram on Wednesday, September 16, 2026.

The family described the late actor as “The Lion of Lufodo” and appealed to bloggers and social media influencers to respect their privacy as they mourned his passing.

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“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather and uncle. The Lion of Lufodo,” the statement read.

The family identified him as Oludotun Baiyewun Jacobs, MFR, and gave his dates as July 11, 1942, to September 16, 2026.

Jacobs was one of Nigeria’s most recognised veteran actors, with a career spanning theatre, television and film.

 

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