Entertainment
Is Rap Really Dead?
By Funmilayo Olusanya
When Ayodeji Balogun, popularly known as Wizkid, enthusiastically declared in an interview with 10 Magazine based in Australia that rap is dead and then claimed he meant that the genre is dead in Nigeria because it has been in a steady decline and those who participate in it are slowly fading away, it left one question unanswered, is rap really dead?
In this report, Funmilayo Olusanya takes a deep dive into the history of both Afrobeat and rap music in Nigeria, x-raying which one is dead or alive.
Modern Music in today’s world is a major form of entertainment. While classical, country, Rhythm & Blues (R&B), hip-hop, rap, and other modern genres of music are among the most popular worldwide, important subgenres of African music include Afrobeat, Highlife, Hiplife, Juju, and so on.
The most well-known genres in Nigeria and on a global stage, recognized to be from Nigeria or majorly from Nigeria are Indigenous genres like Apala, Ogene, Fuji, Jùju, and Afrobeat, among others.
In recent times there has been a rise in comparison between Afrobeat and rap music, and debates as to those keeping it real and those selling out, old versus new school, which one is dead or alive, and who is superior and inferior between Afrobeat artists and rap artists.
In this article, I will be giving utmost attention to Afrobeat and rap music in Nigeria. Can we say that Afrobeat is doing much better than rap in Nigeria? Is rap dead? Which of the two is gaining prominence in Nigeria today? Of course, all these questions will be answered.
Nigerian Rap, Afrobeat
Afrobeat and rap music are two distinct genres that have gained widespread popularity over the years. While both styles have their roots in African and African-American culture, they have evolved in different ways and have been influenced by various musical and cultural influences.
Afrobeat originated in Nigeria in the 1970s and was created by the legendary musician Fela Kuti. It is a fusion of traditional West African music, jazz, and funk, and is characterized by its heavy use of percussion, complex polyrhythms, and politically charged lyrics.
Afrobeat has had a significant influence on other genres of music, including hip-hop and dancehall, and has become popular around the world, particularly in Africa and Europe.
Rap, on the other hand, is a genre of music that originated in the United States in the 1970s. It is characterized by its use of spoken or shouted lyrics over a beat and is often associated with urban culture and the hip-hop movement.
Rap music has evolved significantly over the years, and has been influenced by a wide variety of styles, including funk, jazz, soul, and rock.
Today, rap music is one of the most popular genres in the world, with a huge following in the United States and around the globe.
One of the most notable similarities between Afrobeat and rap music is their use of politically charged lyrics. Both genres have been used as a way for artists to speak out about social and political issues, and to promote positive change.
Fela Kuti, for example, used his music to speak out against corruption and injustice in Nigeria, and his music became an important tool for political activism in Africa.
Similarly, many rap artists have used their music to address issues such as racism, police brutality, and poverty, and have used their platform to inspire social change.
Afrobeat and rap music have both had a major impact on popular culture and have contributed significantly to the evolution of modern music in Nigeria.
Both genres have been used as a platform for artists to express their political views and to address social and cultural issues.
Afrobeat and rap have also been instrumental in shaping the way people think about and interact with music, and have influenced the development of other genres of music.
In the 1980s and 1990s, Nigerian rap music gained popularity, with artists like Tony Allen, Plantashun Boiz, and Majek Fashek leading the way. These artists brought a more political and socially conscious message to their music, using it as a platform to address issues like corruption, poverty, and social injustice.
In the late 1990s and early 2000s, a new generation of Nigerian rappers and Afrobeat artists emerged, including the likes of M.I., WizKid, Olamide, and Burna Boy. These artists brought a more modern and contemporary sound to their genre, incorporating elements of hip-hop and electronic music into their music.
Despite their similarities, Afrobeat and rap music are also distinct in many ways.
Afrobeat, for example, is more heavily influenced by traditional West African music and incorporates a wide variety of instruments, including horns, percussion, and vocals.
Rap music, on the other hand, is primarily centered around spoken or shouted lyrics, and is often accompanied by a DJ or producer who creates the beat. Rap music also tends to be more focused on individual performance and lyrical prowess, while Afrobeat is more collaborative and emphasizes group performance.
There are many Afrobeat and rap singers in Nigeria who have gained prominence and made significant contributions to the music industry.
WizKid is an Afrobeat singer who has gained international recognition for his catchy and energetic music. He has released several successful albums and singles and has won numerous awards for his work.
Davido is another prominent Afrobeat singer in Nigeria. He is known for his energetic stage presence and catchy songs and has gained a large following both in Nigeria and internationally.
Olamide is a rapper who is known for his hard-hitting lyrics and energetic delivery. He has released several successful albums and singles and is widely considered one of the most influential rappers in Nigeria.
Phyno is another notable rapper in Nigeria. He is known for his unique style, combining traditional Igbo music with modern hip-hop elements.
Falz is a rapper and actor who is known for his socially conscious lyrics and humorous style. He has released several successful albums and singles and has won numerous awards for his work.
Naira Marley is a rapper who has gained a large following for his controversial lyrics and energetic performances. He has released several successful singles and albums and is known for his unique blend of Afrobeat and rap.
The list goes on and on, there are many artists who are successfully doing either Afrobeat or rap music.
WHAT DOES THE FUTURE HOLD FOR RAP?
As I wrote earlier, rap is a vibrant and popular genre that continues to evolve and influence other forms of music. Rap music has a long history and has had a significant impact on popular culture around the world.
Many famous and successful rap artists continue to make music and tour, and new artists are constantly emerging on the scene.
Rap music has a devoted and passionate fan base, and it continues to be a popular and influential genre in the music industry.
An example of this is Nicholas Ihua-Maduenyi, popularly known as PsychoYP, a Nigerian alternative hip-hop rapper, singer, and songwriter who is a member of the music collective Apex Village. He broke into the music scene with a critically acclaimed mixtape YPSZN, which earned him a nomination at the SAMAs, and Headies for his second mixtape studio album YPSZN2. He has over 2 million streams on audio Mack alone. Dubbed the “The Fresh Prince of Nigerian Rap”, he is regarded as one of Nigeria’s rap music pioneers in the Alté music scene.
Shokoya Oluwasegunfunmi is another notable young, up-and-coming rap artist, popularly known as Davolee, who is a Nigerian rapper, singer, and songwriter. Since his debut in the Nigerian music scene, he has become a mainstay. His latest song “Earning wish” has over 23 million streams.
Although at the moment, Nigerian rap is not as popular or successful on the global stage as its Afrobeat counterpart, the genre is far from dead and is instead receiving new life from new, talented young artists who will keep the torch burning in the Nigerian music space for a long time to come.
Entertainment
Having A Child Out Of Wedlock Once Ended Careers – D’banj Laments Shifts In Celeb Norms
Nigerian singer and rapper, Oladapo Daniel Oyebanjo better known as D’banj has noted that, unlike his generation where having a child out of wedlock could end a showbiz person’s career, celebrities are now being celebrated for having children out of wedlock.
The ‘koko-master, spoke on Moral Differences Between His Generation and Current Musicians in a recent interview with The Beat FM, Lagos.
Music star D’banj discussed the contrasting moral landscape between his generation of musicians and the current crop of artists.
Reflecting on the past, the ‘Koko Master’ noted that having a child out of wedlock was once a career-ending scandal, citing the experiences of his colleague 2Baba. Today, he observes a shift in societal attitudes, with celebrities now being celebrated for the same situation.
D’banj shared a lighthearted exchange with 2Baba, jokingly chiding him for not encouraging a similar path. The musician’s observations highlight the evolving social mores within the Nigerian music scene and broader cultural shifts in how personal lives of celebrities are perceived and embraced.
Speaking in an interview with The Beat FM, Lagos, the Koko Master said, “Our generation was so hard. If you had a child out of wedlock, your career could just end. But now everybody is just embracing it.
“I am angry. Sometimes I call 2Face to chide him for not encouraging me back then because it is something different when you now see them celebrating with their kids. They are in their 30s and their kids are teenagers.
“But I think it goes beyond people, it goes to your state of mind: Are you mentally and financially ready? You don’t have to have everything in the world, if you’re ready to embrace what is coming to you, I think that is the best.”
The Federal Government’s recent move to enforce a prohibition on smoking, money rituals, and ritual killings in Nigerian films has sparked a contentious debate within the Nollywood community.
The announcement, made by Dr. Shaibu Husseini, Executive Director of the National Film and Video Censors Board (NFVCB), aims to curtail the glamorization of such acts in movies, musical videos, and skits, under a new regulation approved by the Minister of Arts, Culture, and Creative Economy, Hannatu Musawa.
During a national stakeholders’ engagement on smoke-free Nollywood in Enugu, Dr. Husseini emphasized that the regulation seeks to discourage harmful content and promote positive values, particularly for teens and young adults who form a significant portion of the Nigerian movie audience.
The NFVCB plans to implement extensive educational programs across schools, communities, and faith-based groups to highlight the dangers of smoking and the negative influence of ritualistic scenes.
However, the policy has received mixed reactions from industry stakeholders. Veteran actor Bob Manuel Udokwu supports the government’s move, explaining that it is not an outright ban but a measure to prevent inadvertent promotion of smoking and ritual acts. He believes that filmmakers can still depict such scenes when necessary for storytelling, such as in documentaries or true-life stories.
Conversely, actress Jennifer Obodo criticises the government for focusing on Nollywood instead of addressing pressing national issues like high fuel prices, food shortages, and poor infrastructure.
She argues that movies are a form of storytelling and that banning these elements does not address the root of the problem, suggesting that the government should instead regulate cigarette production and sales.
Ngozi Eze Evuka, another actress, argues against the ban, stating that movies educate and entertain rather than corrupt viewers. She fears that banning smoking and ritual scenes could lead to further restrictions on other narrative elements in Nollywood, such as sexual acts and depictions of traditional practices.
Nollywood producer Nnaemeka Charles Eze (Nani Boi) also opposes the ban, suggesting it distracts from more critical national issues and could stifle creative expression. He proposes that an oversight body should ensure films meet ethical standards without compromising artistic freedom.
Despite the opposition, some, like Nelson Bright, view the ban positively, linking it to broader efforts to combat human trafficking and illegal organ harvesting. Nonetheless, he acknowledges that such restrictions could limit personal liberty and drive filmmakers away from the Nigerian cinema industry, potentially impacting its international recognition and profitability.
Don Sylvester Nweke, CEO of Don Sylvester Records, believes the ban is unnecessary and suggests that films should instead depict the negative consequences of smoking and rituals to educate viewers. He argues that censorship should focus on ensuring films convey moral lessons rather than outright banning content.
Maxi Okwu, former National Chairman of APGA, raises constitutional concerns, emphasizing the need to protect fundamental rights to freedom of thought, conscience, and religion. He warns that the ban might infringe on these rights and suggests that any law limiting such freedoms would require constitutional amendments.
As Nollywood grapples with this contentious regulation, the debate underscores the delicate balance between artistic freedom and social responsibility in the film industry.
Nigerian singer and rapper, D’banj has expressed his admiration for his controversial fellow musician, Portable.
The ‘Oliver Twist’ hitmaker highlighted their shared traits and unique approaches to music, confessing he sometimes wishes to emulate Portable’s bold authenticity.
D’banj’s appreciation for Portable’s unconventional methods led him to assert that everyone could benefit from having “a pinch of Portable” in their own lives, encouraging individuals to embrace their genuine selves and bring forth their distinct qualities.
Speaking in a recent interview with The Beat FM, Lagos, the Koko Master said, “I wish I could be like Portable because he is doing the way I used to do … You feel something in the night, you call Don Jazzy. You drop it in the morning.
“Remember the way we dey do that time. But now dem dey tell us say make we wait for two or three weeks and put it on playlist. Forget that. I think everybody needs a pinch of Portable in them. I think that is what he reminds me of; for you to take everything as an opportunity. They said for you to make it in life you’ve to be lucky. Luck is opportunity finding talent. That’s what we are.” [sic].
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