Entertainment
Is Rap Really Dead?
By Funmilayo Olusanya
When Ayodeji Balogun, popularly known as Wizkid, enthusiastically declared in an interview with 10 Magazine based in Australia that rap is dead and then claimed he meant that the genre is dead in Nigeria because it has been in a steady decline and those who participate in it are slowly fading away, it left one question unanswered, is rap really dead?
In this report, Funmilayo Olusanya takes a deep dive into the history of both Afrobeat and rap music in Nigeria, x-raying which one is dead or alive.
Modern Music in today’s world is a major form of entertainment. While classical, country, Rhythm & Blues (R&B), hip-hop, rap, and other modern genres of music are among the most popular worldwide, important subgenres of African music include Afrobeat, Highlife, Hiplife, Juju, and so on.
The most well-known genres in Nigeria and on a global stage, recognized to be from Nigeria or majorly from Nigeria are Indigenous genres like Apala, Ogene, Fuji, Jùju, and Afrobeat, among others.
In recent times there has been a rise in comparison between Afrobeat and rap music, and debates as to those keeping it real and those selling out, old versus new school, which one is dead or alive, and who is superior and inferior between Afrobeat artists and rap artists.
In this article, I will be giving utmost attention to Afrobeat and rap music in Nigeria. Can we say that Afrobeat is doing much better than rap in Nigeria? Is rap dead? Which of the two is gaining prominence in Nigeria today? Of course, all these questions will be answered.
Nigerian Rap, Afrobeat
Afrobeat and rap music are two distinct genres that have gained widespread popularity over the years. While both styles have their roots in African and African-American culture, they have evolved in different ways and have been influenced by various musical and cultural influences.
Afrobeat originated in Nigeria in the 1970s and was created by the legendary musician Fela Kuti. It is a fusion of traditional West African music, jazz, and funk, and is characterized by its heavy use of percussion, complex polyrhythms, and politically charged lyrics.
Afrobeat has had a significant influence on other genres of music, including hip-hop and dancehall, and has become popular around the world, particularly in Africa and Europe.
Rap, on the other hand, is a genre of music that originated in the United States in the 1970s. It is characterized by its use of spoken or shouted lyrics over a beat and is often associated with urban culture and the hip-hop movement.
Rap music has evolved significantly over the years, and has been influenced by a wide variety of styles, including funk, jazz, soul, and rock.
Today, rap music is one of the most popular genres in the world, with a huge following in the United States and around the globe.
One of the most notable similarities between Afrobeat and rap music is their use of politically charged lyrics. Both genres have been used as a way for artists to speak out about social and political issues, and to promote positive change.
Fela Kuti, for example, used his music to speak out against corruption and injustice in Nigeria, and his music became an important tool for political activism in Africa.
Similarly, many rap artists have used their music to address issues such as racism, police brutality, and poverty, and have used their platform to inspire social change.
Afrobeat and rap music have both had a major impact on popular culture and have contributed significantly to the evolution of modern music in Nigeria.
Both genres have been used as a platform for artists to express their political views and to address social and cultural issues.
Afrobeat and rap have also been instrumental in shaping the way people think about and interact with music, and have influenced the development of other genres of music.
In the 1980s and 1990s, Nigerian rap music gained popularity, with artists like Tony Allen, Plantashun Boiz, and Majek Fashek leading the way. These artists brought a more political and socially conscious message to their music, using it as a platform to address issues like corruption, poverty, and social injustice.
In the late 1990s and early 2000s, a new generation of Nigerian rappers and Afrobeat artists emerged, including the likes of M.I., WizKid, Olamide, and Burna Boy. These artists brought a more modern and contemporary sound to their genre, incorporating elements of hip-hop and electronic music into their music.
Despite their similarities, Afrobeat and rap music are also distinct in many ways.
Afrobeat, for example, is more heavily influenced by traditional West African music and incorporates a wide variety of instruments, including horns, percussion, and vocals.
Rap music, on the other hand, is primarily centered around spoken or shouted lyrics, and is often accompanied by a DJ or producer who creates the beat. Rap music also tends to be more focused on individual performance and lyrical prowess, while Afrobeat is more collaborative and emphasizes group performance.
There are many Afrobeat and rap singers in Nigeria who have gained prominence and made significant contributions to the music industry.
WizKid is an Afrobeat singer who has gained international recognition for his catchy and energetic music. He has released several successful albums and singles and has won numerous awards for his work.
Davido is another prominent Afrobeat singer in Nigeria. He is known for his energetic stage presence and catchy songs and has gained a large following both in Nigeria and internationally.
Olamide is a rapper who is known for his hard-hitting lyrics and energetic delivery. He has released several successful albums and singles and is widely considered one of the most influential rappers in Nigeria.
Phyno is another notable rapper in Nigeria. He is known for his unique style, combining traditional Igbo music with modern hip-hop elements.
Falz is a rapper and actor who is known for his socially conscious lyrics and humorous style. He has released several successful albums and singles and has won numerous awards for his work.
Naira Marley is a rapper who has gained a large following for his controversial lyrics and energetic performances. He has released several successful singles and albums and is known for his unique blend of Afrobeat and rap.
The list goes on and on, there are many artists who are successfully doing either Afrobeat or rap music.
WHAT DOES THE FUTURE HOLD FOR RAP?
As I wrote earlier, rap is a vibrant and popular genre that continues to evolve and influence other forms of music. Rap music has a long history and has had a significant impact on popular culture around the world.
Many famous and successful rap artists continue to make music and tour, and new artists are constantly emerging on the scene.
Rap music has a devoted and passionate fan base, and it continues to be a popular and influential genre in the music industry.
An example of this is Nicholas Ihua-Maduenyi, popularly known as PsychoYP, a Nigerian alternative hip-hop rapper, singer, and songwriter who is a member of the music collective Apex Village. He broke into the music scene with a critically acclaimed mixtape YPSZN, which earned him a nomination at the SAMAs, and Headies for his second mixtape studio album YPSZN2. He has over 2 million streams on audio Mack alone. Dubbed the “The Fresh Prince of Nigerian Rap”, he is regarded as one of Nigeria’s rap music pioneers in the Alté music scene.
Shokoya Oluwasegunfunmi is another notable young, up-and-coming rap artist, popularly known as Davolee, who is a Nigerian rapper, singer, and songwriter. Since his debut in the Nigerian music scene, he has become a mainstay. His latest song “Earning wish” has over 23 million streams.
Although at the moment, Nigerian rap is not as popular or successful on the global stage as its Afrobeat counterpart, the genre is far from dead and is instead receiving new life from new, talented young artists who will keep the torch burning in the Nigerian music space for a long time to come.
Entertainment
JUST IN: Veteran Actor Olu Jacobs Dies at 84
Veteran Nigerian actor and film executive, Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84.
His death was announced by his son, Olusoji Jacobs, in a statement shared on Instagram on Wednesday, September 16, 2026.
The family described the late actor as “The Lion of Lufodo” and appealed to bloggers and social media influencers to respect their privacy as they mourned his passing.
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“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather and uncle. The Lion of Lufodo,” the statement read.
The family identified him as Oludotun Baiyewun Jacobs, MFR, and gave his dates as July 11, 1942, to September 16, 2026.
Jacobs was one of Nigeria’s most recognised veteran actors, with a career spanning theatre, television and film.
Entertainment
What New York Mayor Zohran Mamdani and Ayra Starr’s Link-Up Says About Afrobeats’ Global Influence
Afrobeats star Ayra Starr’s meeting with New York City Mayor Zohran Mamdani has ignited attention online, but beyond the photo ops, the public is wondering what that stunt says about the music industry, particularly Afrobeat, and the Nigerian’s career.
Many are of the view, going by the fan reactions, that the encounter highlights the growing cultural influence of Nigerian music on the global stage.
Ayra Starr shared photographs of herself with Mamdani on Instagram on Thursday CC, captioning the post, “Mr Mamdani 🙏🏾.”
The pictures showed the singer and the mayor smiling, laughing and pointing at each other in a relaxed setting.
Adding to the curiosity was the music accompanying the post — Ayra Starr’s “Midnight in New York.
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Released in August 2026 as part of her third studio album, Starrgirl, the song carries a strong connection to the city in both its title and inspiration.
Ayra has spoken about the personal experience behind the track, linking it to her experience of being in New York and the sense of independence that came with living away from home. That detail has made the Mamdani photograph particularly intriguing.
A Nigerian singer posting a picture with the mayor of New York while her New York-themed song plays in the background creates an obvious cultural connection.
However, there is currently no confirmation that “Midnight in New York” was the reason for the meeting or that the song and the mayor’s appearance were part of a planned collaboration.
From Nigerian Breakthrough to Global Star
The moment also reflects just how far Ayra Starr has travelled in her career.
She emerged prominently after joining Mavin Records, releasing her self-titled debut EP in 2021 before following it with 19 & Dangerous. Songs such as “Away,” “Ija,” “Sare,” “Bloody Samaritan” and “Rush” helped establish her identity and build an increasingly international audience.
“Rush” became one of the defining songs of her early career, pushing her beyond Nigeria and strengthening her profile among international listeners.
She continued that momentum with songs including “Sability,” “Commas” and “Rhythm & Blues,” while her second album, The Year I Turned 21, showed a more mature side of her artistry.
Her international collaborations have further expanded that reach. Her music has increasingly brought together Afrobeats, R&B and global pop influences, allowing her to compete for attention in a music industry where African artists are no longer viewed simply as regional acts.
Her 2026 album Starrgirl represents another stage in that evolution, bringing together Afrobeats, Afropop, R&B and other global sounds, with collaborations involving major international and African artists.
Why the Mamdani Moment Matters
New York occupies a unique position in global culture. It is one of the world’s most influential cities in music, fashion, entertainment and politics, while also being home to a large African and Nigerian diaspora.
For Ayra Starr, therefore, being publicly associated with the city’s mayor carries significance beyond a celebrity photograph.
It demonstrates how Nigerian artists are increasingly becoming part of cultural conversations in major international cities.
Watchers note that Afrobeats has undergone a similar transformation. What was once largely identified with West African audiences now commands international streaming audiences, global collaborations, major festival stages and attention from some of the world’s biggest entertainment markets.
Ayra Starr’s career is a reflection of that shift.
More Than a Viral Photograph
The online reaction to the photographs was largely playful and celebratory.
Fans described the pair as “two icons,” while others joked about asking Mamdani for a freestyle and declared that “NYC belongs to Ayra now.
One follower jokingly wrote, “Tell Mr Mamdani to give us a freestyle.”
Another described the encounter as “When two icons link up.”
The song itself became part of the conversation, with one fan joking that Mamdani had “heard Midnight in New York.”
Another declared: “NYC belongs to Ayra now sorry mr Mayor.”
Other fans celebrated Ayra Starr’s continued rise, with comments such as “Star girl season,” while another described Ayra and Mamdani as “Two beautiful personalities.”
Entertainment
Regina Daniels Did Not Reconcile With Ned Nwoko — Mother Clarifies
Nollywood actress Regina Daniels has not reconciled with her estranged husband, Delta North Senator Ned Nwoko, her mother, Rita Daniels, has clarified.
Rita made the clarification after Regina’s recent visit to Nwoko’s residence sparked widespread speculation on social media that the estranged couple may have settled their differences.
According to her mother, Regina visited the senator’s residence solely because she was invited to see her children, and the visit should not be interpreted as a reunion between the two.
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“It is well, my dear. She was invited to see her children; that was what happened. Thanks a lot for your support and concern,” Rita said during an Instagram conversation with actor Uche Maduagwu.
The visit came months after the highly publicised marital crisis between Regina and Nwoko, during which both parties made allegations against each other.
Nwoko had accused the actress of drug addiction and alleged that she damaged his property. Regina, on the other hand, accused the lawmaker of creating a false narrative aimed at damaging her reputation and alleged that he had attempted to isolate her from her loved ones.
Regina had also claimed that her relationship with Nwoko was never legally formalised.
Visit sparks fresh speculation
The controversy resurfaced after a video of Regina at Nwoko’s residence circulated online.
Her appearance triggered mixed reactions from Nigerians and some celebrities who had previously supported her during the marital crisis.
While some social media users concluded that the actress had reconciled with the senator, others speculated that she was pregnant with his child.
The development also drew a reaction from actor Stanley “Stanley Ontop” Ajemba, who had publicly supported Regina during the dispute. Ajemba questioned her decision to return to Nwoko’s residence and expressed frustration that she had not informed him about the visit.
He subsequently said he would no longer intervene in disputes involving the estranged couple.
Rita’s latest clarification is consistent with an earlier statement by Regina’s sister, Destiny Daniels, who said the actress had been permitted to visit her children and remained single.
Destiny also dismissed pregnancy speculation, saying changes in Regina’s appearance were due to weight gain.
Regina Daniels and Ned Nwoko held their traditional marriage ceremony in Aniocha Local Government Area of Delta State on May 26, 2019..
They have two sons, Munir, born in 2020, and Khalifa, born in 2022.
For now, Regina’s mother maintains that the actress’s visit was about seeing her children and did not signify a reconciliation with the senator.





