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SERAP Drags FG To Court Over Unlawful Ban On Eedris’ ‘Tell Your Papa’ Song

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Eedris ​​​​Abdulkareem shares update on kidney treatment

 

The Socio-Economic Rights and Accountability Project (SERAP) has filed a lawsuit against the National Broadcasting Commission (NBC) over “failure to reverse the arbitrary, illegal and unconstitutional ban on Eedris Abdulkareem’s song ‘Tell Your Papa’.”

The song, which allegedly criticised President Bola Tinubu’s economic policies, was prohibited from radio and TV broadcast over its “objectionable nature”.

The NBC stood its decision on the song’s violation of “public decency standards” on radio and TV stations.

However, in the suit number FHC/L/CS/797/2025 filed last Thursday at the Federal High Court, Lagos, SERAP is seeking: “an order setting aside the arbitrary and illegal ban on Eedris Abdulkareem’s song ‘Tell Your Papa’, for being inconsistent and incompatible with the rights to freedom of expression, access to information, and media freedom.”

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The SERAP is seeking: “an order of perpetual injunction restraining the NBC whether jointly or severally or any other authority, person or group of persons from preventing the airing of Eedris Abdulkareem’s song on all broadcast stations and other similar media platforms in Nigeria.”

The SERAP is also seeking “a declaration that the NBC’s directive, issued via a letter dated 9 April 2025 to all broadcast stations in Nigeria, banning the airing of Eedris Abdulkareem’s song is unlawful and inconsistent and incompatible with the rights to freedom of expression, access to information, and media freedom.”

In the suit, the SERAP is arguing that: “The NBC is censoring music under the guise of ‘protecting public decency’. Public decency is not a carte blanche for banning Eedris’ song and placing a chokehold on information and suppressing peaceful dissent.”

The SERAP is arguing that, “Freedom of expression constitutes one of the essential foundations of a democratic society and extends not only to information or ideas that are favourably received, but also to those that offend, shock or disturb in such domains as political discourse and commentary on public affairs.”

The SERAP is also arguing that, “The ban on Eedris’ song has a chilling effect on freedom of expression, access to information and media freedom. The NBC has not shown that the song would impose a specific risk of harm to a legitimate State interest that outweighs the public interest in the information provided by the song.”

According to the SERAP, “Section 3.1.8 of the Nigeria Broadcasting Code is overbroad and excessively intrusive, as it breaches the fundamental rights to freedom of expression, access to information and media freedom.”

The suit filed on behalf of the SERAP by its lawyers, Kolawole Oluwadare, Oluwakemi Agunbiade and Valentina Adegoke, read in part: “All persons enjoy the rights to freedom of expression and creativity and to enjoy the arts.

“The ban on Eedris’ song fails to meet the requirements of legality, necessity, and proportionality.

“The requirement of necessity also implies an assessment of the proportionality of the grounds, with the aim of ensuring that the excuse of ‘objectionable nature’ and ‘public decency’ are not used as a pretext to ban Eedris’ song and unduly intrude upon Nigerians’ human rights.

“Expressions, whether artistic or not, always remain protected under the right to freedom of expression. The NBC directive is also inconsistent and incompatible with the right to freedom of artistic expression and creativity.

“Art constitutes an important vehicle for each person, individually and in community with others, as well as groups of people, to develop and express their humanity. Artists may entertain people, but they also contribute to social debates, sometimes bringing counter-discourses and potential counterweights to existing power centres.

“The vitality of artistic creativity is necessary for the functioning of democratic societies. Banning or removing creative expressions from public access is a way to restrict artistic freedom.

“It is inconsistent and incompatible with the Nigerian Constitution 1999 [as amended] and the country’s international human rights obligations to use vague and overly broad grounds of ‘objectionable nature’ and ‘public decency’ as justifications to ban Eedris’ song.

“The action by the NBC is arbitrary, illegal, and unconstitutional, as it is contrary to the provisions of section 39 of the Nigerian Constitution, article 9 of the African Charter on Human and Peoples’ Rights, and article 19 of the International Covenant on Civil and Political Rights, to which Nigeria is a state party.

“Media freedom and media plurality are a central part of the effective exercise of freedom of expression. The media has a vital role to play as ‘public watchdog’ in imparting information of serious public concern and should not be inhibited or intimidated from playing that role.

“While the media may be subject to some restrictions necessary for the protection of certain vital interests of the state, such as national security or public health, the media has a role and responsibility to convey information and ideas on political issues, even divisive ones and the public has a right to receive them.

“Article 19(2) of International Covenant on Civil and Political Rights, states that the right to freedom of expression includes the freedom to seek, receive and impart information and ideas of all kinds ‘in the form of art’.

“The effects of art censorship or unjustified restrictions of the right to freedom of artistic expression and creativity are devastating. They generate important social and economic losses, deprive artists of their means of expression and livelihood, create an unsafe environment for all those engaged in the arts and their audiences.

“Restrictions of the right to freedom of artistic expression also sterilize debates on human, social and political issues and hamper the functioning of democracy.

“Article 19 (1) of the International Covenant on Civil and Political Rights establishes the right to freedom of opinion without interference. Article 19(2) establishes Nigeria’s obligations to respect ‘the right to freedom of expression,’ which includes the freedom to seek, receive and impart information, regardless of frontiers.

“Under article 19(3), restrictions on the right to freedom of expression must be ‘provided by law’, and necessary ‘for respect of the rights or reputations of others’ or ‘for the protection of national security or of public order (ordre public), or of public health and morals’.”

No date has been fixed for the hearing of the suit.

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‘Oseni Rufai Helped Me, Not NiDCOM’ — Ekene Chukwuma on Return to Nigeria

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Nigerian national Ekene Chukwuma has said he returned to Nigeria with assistance linked to Oseni Rufai rather than the Nigerians in Diaspora Commission (NiDCOM), while renewing allegations against the commission’s chairperson, Abike Dabiri-Erewa, over his travel documents.

Chukwuma made the remarks in an interview in which he explained how he returned to Nigeria after spending months at a deportation camp in India.

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“My name is Kenneth Chukwu, from Enugu State,” he said, introducing himself before explaining how he returned to the country.

“I came back here with the assist of Osini Roufai, a good friend of him,” he said.

Chukwuma denied that NiDCOM facilitated his return, alleging that the commission had published false information about his case.

“NiDCOM made a lots of false, uh, news acquisition against me, which is still in Abike Dabiri handle in Twitter,” he said.

He also accused Dabiri-Erewa of sharing his expired international passport and a travel certificate he claimed was issued six months after he entered the detention camp.

“He also, she also posted my international passport that expired. He also, she also posted my TC that issued after 6 months,” he said.

His comments renew questions surrounding the handling of his case and the circumstances under which he obtained the documents needed to return to Nigeria.

Chukwuma’s detention in India previously sparked a public disagreement between ARISE News presenter Oseni Rufai and Dabiri-Erewa over NiDCOM’s response to reports of his situation.

Oseni raised concerns about Chukwuma’s detention and the commission’s handling of the case, while Dabiri-Erewa defended NiDCOM’s position and explained the process for submitting information to the commission.

NiDCOM subsequently issued its account of Chukwuma’s detention, stating that he had been arrested in India over a visa overstay and addressing the circumstances surrounding his travel documents.

The differing accounts prompted public debate about the commission’s response to Nigerians facing immigration difficulties abroad.

 

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‘Who Owns NNPC?’ Rufai Grills Olabode Sowunmi Over Fuel Subsidy

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Rufai Oseni has challenged political analyst Olabode Sowunmi over the Federal Government’s 30-day petrol discount, questioning whether the intervention amounts to a return of fuel subsidy despite claims that the discount is being borne by the Nigerian National Petroleum Company Limited (NNPC).

The exchange occurred during an edition of The Morning Show on Arise News, where Oseni questioned Sowunmi about the financial implications of the petrol discount and other measures introduced to cushion the impact of fuel prices.

Oseni argued that several elements of the government’s intervention could be regarded as forms of subsidy, insisting that NNPC’s ownership structure must be considered when determining who ultimately bears the cost.

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“No matter how you try to explain it away, a subsidy is a subsidy,” Oseni said.

He challenged the argument that the discount should not be classified as a government subsidy simply because NNPC was responsible for providing it.

“We’re talking like NNPC is not owned by [the government] and heavily equity-based by the Ministry of Finance Incorporated,” he said.

Oseni identified the 30-day discount, forward sales of crude oil to domestic refineries, a proposed price ceiling, the removal of road levies and the consideration of an excess-profit tax among the measures he believed could amount to different forms of subsidy.

He argued that forward sales of crude oil to domestic refineries, with increased volumes as production grows, could help shield petrol pump prices from fluctuations in the international market.

Oseni also questioned the proposed negotiation of a price ceiling of ₦1,350 on landing and ex-country costs, arguing that government intervention to moderate prices contradicted the principle of allowing market forces to determine them.

“You are not supposed to come in to do this. Let me go back to your words: forces of market supply and demand should do this, but you have now come in to do this. That’s another form of subsidies,” he said.

He further cited the removal of road levies and cooperation with state governments under new tax laws as part of the measures requiring scrutiny.

After listing the interventions, Oseni demanded that Sowunmi explain their financial implications and identify who would ultimately pay for the petrol discount.

“But tie this with the most important question, actually, that you skipped: How much will this cost NNPC, and who pays for it? Don’t evade that question. Tell us the cost item and how much, who will pay for it,” Oseni said.

Sowunmi Defends His Position

In his response, Sowunmi argued that a government subsidy should be determined by whether the government bears the difference between the total cost of a product and its selling price.

He explained that a subsidy occurs when the government assumes the financial burden created by the gap between the cost of a product and the price at which it is sold.

“In the case of the discount that has been announced, it is borne by NNPC. So that cannot be…” Sowunmi said before Oseni interrupted.

Oseni challenged the distinction, insisting that NNPC’s ownership made it necessary to establish whether the cost could ultimately be linked to the government.

“Wait, not—who owns NNPC? Please answer. No, no, a straight question, and you can go ahead. Who owns NNPC?” Oseni asked.

Sowunmi responded that he had been invited to contribute to the discussion and should be allowed to complete his explanation.

“You asked, you asked NNPC because you believe—you asked me a question because you believe I have something to say. You cannot—you cannot tell me how to talk, so just be…” he said.

Oseni subsequently repeated his question about NNPC’s ownership, prompting Sowunmi to urge him to exercise patience.

“Basically, you need to be a bit patient and just…” Sowunmi responded.

The available transcript ends during the exchange, with no further explanation of the financial arrangements or conclusion to the discussion provided.

 

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JUST IN: Amnesty Volunteer Lawrence Zongo Regains Freedom After 10 Days In Custody

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Anambra Governorship Election: Soldiers fire live bullets in Ihiala

Human rights defender and Amnesty International volunteer, Lawrence Zongo, has been released from the custody of the Nigerian Army in Jos, Plateau State, after spending 10 days in detention.

His release comes after Amnesty International and the Take-It-Back (TIB) Movement demanded his immediate release, raising concerns over his alleged incommunicado detention at the Nigerian Army’s 3 Division headquarters in Jos.

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“Zongo is out,” a source privy to the information said on Thursday.

Zongo was arrested on October 5 while visiting relatives receiving treatment at a military hospital within Maxwell Khobe Cantonment, Rukuba Barracks, the headquarters of the Army’s 3 Division.

He had reportedly gone to the facility to assist family members who were attacked by gunmen in Meyango, Bassa Local Government Area of Plateau State, on Sunday night.

Sources familiar with the incident said one of Zongo’s first cousins died from injuries sustained in the attack before he arrived at the hospital late Monday morning.

Following his arrest, sources alleged that Zongo was held without charge and denied access to his lawyers and family members.

Sources also claimed that he was wearing Ray-Ban Meta smart glasses when he visited the military facility, suggesting that this might have contributed to the soldiers’ decision to detain him. However, the claim had not been independently verified.

On October 8, Amnesty International raised the alarm over what it described as the arbitrary and incommunicado detention of its member, demanding that the military either release him immediately or hand him over to the appropriate civilian authorities.

The organisation said efforts to gain access to Zongo had been unsuccessful and called on the Army to clarify the circumstances surrounding his arrest and detention.

On October 13, the Take-It-Back Movement’s Plateau State chapter also demanded his release, alleging that he remained in military custody without a clear explanation.

The movement said its members and executive committee representatives had discussed the matter during an appearance on JayFM Jos, insisting that the military should disclose the offence Zongo was suspected of committing and provide evidence justifying his continued detention.

The group also called for respect for Zongo’s fundamental rights and urged the Army to follow established legal procedures if there were allegations against him.

His release comes after days of pressure from rights advocates and activists over the circumstances surrounding his arrest and detention.

The Nigerian Army’s reasons for detaining Zongo and the circumstances surrounding his release were not immediately available.

 

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