Entertainment
Bolu Bamidele: More revelation as fleeing wife commits suicide
….. Wife who burnt Cairo-based lover to death commits suicide
Residents of Koka, a community in Obokun Local Government Area, Osun State and the family of the two lovers, Bolu Bamidele and Ifeoluwa Akanji has been put in a moaning state as the latter reportedly committed suicide.
Report had it that the Cairo-based businessman, Bolu and his lover has been together for nine years.
Acrimony over an alleged act of adultery by one of the two lovers led to their deaths, with Ifeoluwa killing herself after setting Bolu on fire.
According to research by Biztellers, the couple had been dating since 2014, when Bolu was enrolled in the Federal Polytechnic Offa in Kwara State to study mass communication.
They held onto the bond up until their official introduction on October 4, 2021.
Ifeoluwa’s friend, who begged to remain unnamed, said: “Ifeoluwa was a quiet girl who hardly talked or related with people. She loved his boyfriend, fondly called Teebam, so dearly. Bolu was the one who sponsored Ife in school and even built a house for her parents before settling up a fashion designing shop for his heartthrob.
“After the introduction, Ifeoluwa was pregnant twice but had miscarriages, which caused both partners to be worried. Bolu was living in Cairo (Egypt) but came home from time to time and spent two weeks with his partner in Osogbo, Osun State capital, before returning to his base.”
On July 7, 2022, Bolu reportedly left Cairo in order to celebrate Ifeoluwa’s birthday and to eventually go to Nigeria so that she could spend more time with her.
According to a family source who spoke to our correspondent , Bolu went out with his friends on July 17, 2022, and came home drunk about 4 o’clock.
It was said that one of his buddies had dropped him off at his residence close to the Osogbo Campus of Osun State University.
The source added: “Around 6 pm on that day, Ifeoluwa called one of Bolu’s parents, reporting that he was drunk again in spite of several warnings from them. The parent apologised to her to exercise patience and promised to come to their house the following day.”
According to reports, Ifeoluwa snatched Bolu’s phone and read some of his WhatsApp chats when he was fast asleep before discovering that Bolu had impregnated someone else.
Another source said: “She called one of Bolu’s friends, threatening to deal with Bolu over the discovery while the friend urged her to exercise patience.”
Ifeoluwa would later post on her WhatsApp status a message that reads: “I’ve always been a calm girl and I’ve never done this in my life but Teebam has pushed me to the edge.
“At this point, y’all will weep over myself and him before daybreak. I’m promising y’all that!!!”
The source added: “When the friends viewed the status, they rushed down to the house but met Ifeoluwa along the route around Oomuu stream almost naked as she wore only bra and pant, walking barefooted. She told them that they should rush home and pick the corpse of their friend if they would still find him.”
Recall that one the rescuers, Gabriel Adejare, while speaking to Biztellers said it took them almost one hour before they could rescue Bolu from the burning house.
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He said: “It took us 40 minutes to rescue him from the fire after breaking four burglaries to have access to the house. We rushed him to Osogbo Central Hospital but were referred to Osun State University Teaching Hospital. Bolu was later referred to University College Hospital, Ibadan for treatment.”
A friend of Bolu identified simply as Sola said: “Bolu begged for doctors to save his life and also ensure that Ifeoluwa did not abscond. He reiterated his love for her on the hospital bed till the point of death. Bolu died on Tuesday as a result of severe burn.”
Bolu’s older brother, Bode told our correspondent that his brother had been interred on Wednesday at the St. Benedict Catholic Cathedral in Popo, Osogbo.
Since his brother was laid to rest, he claimed, the Ifeoluwa family had moved out of their home at Illias Junction in the Kobo neighborhood of Osogbo.
“Ifeoluwa has thrown us into darkness with the death of Bolu. He relocated to Nigeria with the thought that when they are closer to each other, pregnancy would be possible,” Bode said.
Since Ifeoluwa ran away, the police have been searching for her and have listed her as wanted as of Thursday.
However, it was heard that Ife’s Father Mr. Akanji made arrangements with some attorneys on Thursday night to visit his daughter in Ilesha, where she was hiding.
It was learnt that when they were about to leave in the automobile after picking Ifeoluwa up from her hiding place in Ilesha, she coughed and admitted to taking poison before they arrived.
She was taken to a hospital in Ilesha and then transferred to Our Lady of Fatima Jalayemi Hospital for care, but eventually passed away around 7 o’clock.
Three suicide notes were discovered inside her waist purse. One of the suicide notes reads: “To all my friends that genuinely loved me and gave listening ears. I love you guys and am sending you this to appreciate your love. Please help ensure Teebam’s legacy lives on, including mine.
“Remember Ifetife. I did not kill your friend. You all know I genuinely loved him and I still do, even to the point of my death. Do the findings everywhere, Omo baba and Forty especially. I am counting on you guys. Boluwatife will appreciate this so much.”
Confirming Ifeoluwa’s death, Bolu’s elder brother, Mr Bode said: “We have confirmed that Ifeoluwa is dead. She committed suicide and left notes. The notes are with her family lawyer.
“The father and the lawyer brought her corpse to this hospital yesterday. We were called this morning to confirm her corpse.
“She is dead but we are still going to see the police over the matter.”
The Nigerian film industry has been thrown into mourning following the death of veteran Nollywood actor Francis Duru, who died at the age of 57 after a brief illness.
Duru’s family announced his death on Friday in a statement shared on the actor’s official Instagram page. The National President of the Actors Guild of Nigeria (AGN), Abubakar Yakubu, also confirmed the development.
Born on July 27, 1969, Duru rose to prominence for his portrayal of Ahanna in Amaka Igwe’s 1995 film Rattlesnake, a role that helped establish him as a recognisable face in Nollywood.
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The actor featured in several other productions throughout his career, including Blood Money and Merry Men, earning recognition for his contributions to Nigerian film and television.
Over the years, Duru established himself as a veteran performer whose work contributed to the growth and development of the Nigerian entertainment industry.
His death comes months after he dismissed speculation about his health following the circulation of a video in June that raised concerns among fans.
Duru’s passing marks a loss for Nollywood, with colleagues, fans and other entertainment industry stakeholders expected to pay tribute to the actor and celebrate his contributions to Nigerian cinema.
Nigerian ceramic sculptor and artist, Chris Onaivi Ekuafeh, has opened Unity Forged in Clay, a solo exhibition that draws on clay, culture and personal experience to explore one of humanity’s enduring questions, “How can people remain different and still belong together?”
The exhibition opened on Saturday, September 26, at Quintessence Gallery, Victoria Island, Lagos, and continues until October 10, 2026.
Featuring 13 ceramic works, Unity Forged in Clay is Ekuafeh’s first solo exhibition on Nigerian soil and follows his first solo show in China in 2025, after a residency at the Taoxichuan Arts Centre in Jingdezhen, one of the world’s historic centres of ceramic art. At the heart of the exhibition are two deceptively simple questions: What is unity? And are we united as a people?
Ekuafeh, however, thinks unity does not necessarily have to demand uniformity. “Unity, for me, is not sameness,” he said. The idea is reflected throughout a body of work in which distinct forms, patterns, faces and cultural references coexist while retaining their individual character. “Unity unveils to me bits and pieces of different entities coming together to achieve a thing,” he said.
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Works in the exhibition include Identity, Where We Connect, What the Fire Kept and Kin, with titles across English, Yoruba and Ekuafeh’s native Igarra language. The choice of language, like the forms themselves, is driven by the story and meaning of each piece rather than by a single cultural frame.
The works reflect a creative journey formed across several Nigerian environments and traditions. Born in Kano and trained at Ahmadu Bello University, Zaria, where he studied Industrial Design with a specialisation in ceramics, Ekuafeh says his exposure to northern Nigerian architecture and material culture first awakened his fascination with clay.
The geometric patterns associated with northern architecture continue to appear in his work, while the distinctive faces he carves into some of his pieces draw from his Edo heritage. Lagos, where he now lives and works, has added another layer to the practice, exposing him to contemporary artistic influences and encouraging an increasingly research-driven approach. The result is an artistic vocabulary in which culture, identity, spirituality, emotion, community and human connection repeatedly intersect.
Ekuafeh said clay is more than a convenient artistic medium. His relationship with the material begins from sourcing from the earth, digging, preparing and processing the clay before shaping it into finished work. That physical process has become part of his understanding of both creativity and human experience.
The work captures that connection through scenes of the artist working directly with clay – pressing, shaping, carving and building – alongside reflections on diversity, fracture, belonging and the continuous work required to sustain unity. Rather than provide predetermined answers, Unity Forged in Clay invites viewers to arrive at their own.
Individual works combine sculptural forms with recurring markings, human features and patterns that encourage closer looking. Some begin with sketches and carefully developed ideas; others evolve more organically as Ekuafeh works with the material, allowing the form to develop alongside the thought that inspired it.
This tension between intention and discovery is central to his practice. Clay becomes both material and collaborator. And the exhibition is a visible expression of the process. Unity Forged in Clay is an opportunity to bring years of experimentation, cultural inquiry and technical practice into a focused solo presentation before returning to the studio to develop the next body of work, Ekuafeh said.
Beyond that, however, Unity Forged in Clay leaves its larger question with the audience. “If different particles of earth can be worked, fired and brought together without losing the marks that make each form distinctive, what might that suggest about people, communities and society?”
Photo Caption: From Left, Ofuma Agali, Business Lead, The Candella & Company; Saheedat Lawal, Gallery Supervisor, Quintessence Gallery; and Chris Ekuafeh; at Ekuafeh’s ‘Unity Forged in Clay’ exhibition, held at Quintessence Gallery, Victoria Island, Lagos, Saturday, 26 September 2026
Veteran Nigerian actor and film executive, Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84.
His death was announced by his son, Olusoji Jacobs, in a statement shared on Instagram on Wednesday, September 16, 2026.
The family described the late actor as “The Lion of Lufodo” and appealed to bloggers and social media influencers to respect their privacy as they mourned his passing.
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“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather and uncle. The Lion of Lufodo,” the statement read.
The family identified him as Oludotun Baiyewun Jacobs, MFR, and gave his dates as July 11, 1942, to September 16, 2026.
Jacobs was one of Nigeria’s most recognised veteran actors, with a career spanning theatre, television and film.
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