Entertainment
Witches dealt with me after ‘Koto Orun’ Movie – Iya Gbonkan
By Funmilayo Olusanya
After appearing in the film “Koto Orun,” popular Yoruba actress, Margaret Bandele Olayinka, alias Iya Gbonkan, said she was subjected to severe witchcraft.
Iya Gbonkan
The veteran, who is well known for portraying a witch in most films, claimed that they used to approach her every other night at 12 o’clock and pressure her into joining their cause.
The 64-year-old thespian, however, remarked that she consistently declined their requests since, in her words, “bleeding and drinking of blood wasn’t in her ancestry.”
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In contrast, Iya Gbonkan claimed in an interview with U & I EvergreenTV that the witches beat her one particular night and nearly disfigured her face, making the attack worse when she appeared in “Koto Orun.”
She was particularly appreciative to God for protecting her throughout all of the assaults because of her candor.
She said: “Witches always come to me every night around 12 midnight. I’m very courageous, even what will scare me, I always endure it.
“There was even a time they beat me in my sleep to the point they dented my face. At that time, the father of my child was still alive. They tried to initiate me that I should come and join them in shedding and drinking blood but I resisted their attempt that it’s not in my lineage to do such.
“It became terrible after I acted ‘Koto Orun’ when we acted ‘Koto Orun’, everyone had a terrible encounter. I wasn’t just the only one but God vindicated me because of my honesty. I would have died during ‘Koto Orun’ because I went through a lot.
“I didn’t just start acting but since God said he would uplift me through that means I gave myself to it.”
The late Ajileye and Olori Abioye produced the 1989 film “Koto Orun,” which is one of the most well-known Yoruba films ever.
It was set in the pre-colonial era, when witches surrounded a particular community and tormented the residents willy-nilly.
Even though the good witches, known in the film as “aje funfun” (the white witches), frequently confront the wicked ones, it wasn’t enough to get rid of the evil ones’ infection of the town.
The gods promised the villagers a savior who would be sent by one of the king’s wives and would defeat the bad witches in response to their misery.
As a result, the witches, including the first wife of the king, devised numerous plans to assassinate the messianic bearer who had been prophesied.
Lagos witnessed an electrifying night of Afrobeats excellence on December 23, 2024, as the Flytime Music Festival took center stage.
Headlined by Nigerian music powerhouse Olamide, the event brought together an impressive lineup of stars to deliver unforgettable performances.
Olamide, affectionately called “Baddest” by fans, captivated the audience with back-to-back hits from his extensive catalog, including fan favorites like Melo Melo and Duro Soke.
The night turned emotional when Zlatan Ibile joined Olamide on stage and knelt in homage, a moment that resonated deeply with the crowd.
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The festival also showcased the generational impact of Olamide’s artistry.
Rising stars like Lil Kesh, Young Jonn, and Pheelz, who credit Olamide as a mentor, joined him on stage for a nostalgic display of talent.
Bella Shmurda, Fireboy DML, and Wande Coal also made show-stopping appearances.
A highlight of the night was the powerful duet between Olamide and Wande Coal on their hit song Kpe Paso.
Afrobeats royalty turned out in full force to support Olamide. Icons like Tiwa Savage, Phyno, Peruzzi, and Iyanya performed alongside emerging stars such as Magixx, Omah Lay, Orezi, Khaid, and Lojay, making the event a celebration of the genre’s past, present, and future.
CKay added extra flair by joining Olamide for a vibrant performance of their collaboration, Wahala, while Tiwa Savage brought her signature energy to the stage, keeping fans on their feet.
Backstage, entertainers Tunde Perry and Farulee added a dose of humor, further elevating the night’s excitement. Flytime Music Festival 2024 was more than a concert; it was a testament to the unifying power of music and a celebration of the global dominance of Afrobeats.
Nigerian music sensation Davido was recently seen engaging warmly with Bose Ogulu, the mother and manager of Grammy-winning artist Burna Boy, at Tony Elumelu’s exclusive all-white party in Lagos.
The event, hosted by the prominent entrepreneur and philanthropist, gathered a star-studded assembly of celebrities, business leaders, and influencers.
The interaction between Davido and Ogulu drew significant attention, especially considering the previously reported tensions between Davido and Burna Boy.
Their cordial exchange at the event has sparked discussions among fans and observers, suggesting a possible easing of past disagreements.
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The all-white party, known for its elegance and high-profile guest list, featured performances from top Nigerian artists, including Davido and Burna Boy. Their individual performances were among the highlights of the evening, showcasing the unity and vibrancy of the Nigerian music industry.
Tony Elumelu’s gatherings are renowned for bringing together diverse talents and fostering a spirit of collaboration. The presence of both Davido and Burna Boy’s mother at the same event underscores the influential role such occasions play in bridging gaps within the entertainment community.
As videos and images from the event circulate on social media, fans express optimism about the potential reconciliation between the two music giants. Many hope that this encounter signifies a new chapter of collaboration and mutual respect in the Nigerian music scene.
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Several children lost their lives, and many others were injured in a tragic incident at a funfair in Ibadan, a city in south-west Nigeria.
The event, which was advertised as free entry, attracted a massive crowd, resulting in a crush as attendees struggled to gain access.
Eyewitnesses reported that over 5,000 children gathered at the venue, located at the Islamic High School Basorun. The tragedy unfolded when the main organisers arrived to begin the event. While the exact sequence of events leading to the crush remains unclear, the situation escalated into chaos, leaving scores injured.
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The Oyo state government confirmed the incident, stating that victims had been rushed to various hospitals across Ibadan for treatment. In a statement, they acknowledged “multiple loss of lives and injuries.” Authorities have urged concerned parents to check local hospitals for their children’s whereabouts.
The devastating event has left the community in shock, with residents mourning the lives lost in what should have been a joyous occasion. Investigations are expected to shed light on how the situation spiraled out of control.
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